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Smoking With Teresa Milbrodt

Interview by Joshua Denslow (Read the Story) September 24, 2013

Teresa Milbrodt

art by Alexander C. Kafka

First, I’d like for you to tell me there are more stories featuring this narrator. If not, I’d like you to lie to me.

No falsifications necessary, my dear Josh. There’s a whole book called Larissa Takes Flight: Stories and it’s coming out in May. It will be published by Pressgang, an independent press affiliated with the MFA program at Butler University.

This story feels so true, so exactly right, I have to ask if it’s based on anything that actually happened.

As with most fictional pieces, parts of it are true. The seventh grade science teacher at my junior high really did know Neil Armstrong and we were supposed to take a trip to the museum and meet him, but he couldn’t make it that day. I forget whether he was sick or not. For the record, I did not have a crush on Neil and he was not my lab partner, but we were friends and teased each other pretty often.

I think I could read this story every day and not get sick of it. In fact, as I’m writing these questions I’m marveling at your decision to name her crush Neil, the same as the astronaut. How much of this story did you have worked out before you set out to write it?

Neil and Neil are actually both named Neil. I did not make that up.

Many of my Larissa stories just happen—she starts talking, and I start writing. I think I had pieces of this one worked out in my head, but didn’t know exactly what the end note would be.

Right at the end, you lay this line on us: “I watched the back of Neil’s head bobbing, looked at my unsigned postcard, and thought about how long it had taken for Armstrong to get to the moon, how dangerous the trip had been, and how no one knew exactly what the surface of the moon would be like.” For me, this sums up childhood and unrequited love and self-esteem, but it also puts the perfect tonal cap on this brief story. I don’t know how much time has passed since this event and the narrator telling the story, but do you think it’s important that the narrator told this story with the benefit of that elapsed time on her side?

Yes, very much so. I think younger people, kids and pre-teens, often come upon really interesting and sophisticated pieces of knowledge, but they don’t always have the language to express that knowledge and exactly what it means until later. I think the benefit of hindsight also helps us realize how many truths we find early in life and keep returning to again and again.

I bring up this topic a lot, but I don’t believe a writer can fully achieve sadness without also exploring the absurdity of life. To laugh with a character makes you emotionally invested. The humor here feels effortless, tied directly to the voice and to the situation. Did you struggle at all with the tone? What are your thoughts on achieving the desired tone of a story?

Larissa’s voice is tied into my world view and how I think. Sometimes her stories are about what I would do in an ideal world in which I had more guts and were very slightly crazier. She’s a character I invented in large part to play with the voice and tone that comes out naturally when I write. My husband has called her the “distilled essence of Teresa,” which I think is a fairly apt description.

About the Author

Teresa Milbrodt is the author of the short story collection Bearded Women: Stories (Chizine Publications), the novel The Patron Saint of Unattractive People (Boxfire Press), and the flash fiction collection, Larissa Take Flight: Stories. Milbrodt’s stories have appeared in numerous literary journals, and been nominated for a Pushcart Prize.

About the Interviewer

Josh Denslow’s stories have appeared in Barrelhouse, Third Coast, CutBank, Wigleaf, and Black Clock, among others. His collection, Not Everyone Is Special, is forthcoming from 7.13 Books.

About the Artist

Alexander C. Kafka is a journalist, photographer, and composer in Bethesda, Maryland. He created the cover image for Lost Addresses: New and Selected Poems by Diann Blakely (Salmon Poetry, 2017). His work has also been published at All Things Fashion DC, BuzzFeed, Fast Company, Juked, Vice, The Washington Post, The Writing Disorder, and many other periodicals. He has been on the documentation team for the Washington Folk Festival at Glen Echo and is a contributing concert photographer for DMNDR. Kafka studied fine-art figure photography with Missy Loewe at the Washington School of Photography and portrait photography with Sora DeVore at Glen Echo Photoworks.

This interview appeared in Issue Forty-One of SmokeLong Quarterly.
SmokeLong Quarterly Issue Forty-One

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