×

SmokeLong Quarterly

Share This f l Translate this page

Smoking With Sherrie Flick

Interview by Brandon Wicks (Read the Story) June 25, 2013

Sherrie Flick

art by Alexander C. Kafka

Tell us a little bit about how this story came about.

I wanted to use the very real detail of the Rand McNally rule you mention in question 3. I once routed a trip from San Francisco to New Hampshire (I lived in both of these places at one time or another so for a time I was ping-ponging between the two) in this way. I didn’t understand that the map legends were different from state to state and that my system would sometimes have us driving for many, many hours before connecting up again—or sometimes it led us into very congested cities and towns where the first “location” on the “right” to stop at would be extremely unclear. But. Just like in the story, it worked. We met up every time, like magic, the whole way across.

When the characters pull over to the factory, they watch the third shift workers come and go, and the tone shifts into something beautifully elegiac. In some ways, this trip looks increasingly like a last hurrah among friends before they transition into the full onset of adulthood. What do you hope they take away from this moment?

That they once had each other, completely. That at this moment, it was all working right.

The narrator’s “Rand McNally rule” and intensive preparations are great—she seems to be charting the geography of friendship as much as the nation. Do you think the ready availability of GPS devices is changing the experience of the American road trip?

It’s certainly a much different experience these days. Not only is it harder to get lost and easier to communicate between companion cars, travelers can also easily find free wifi along the way. Traveling in the 90s was a bit more off the grid. Paper maps. Bad coffee. Lots of dependency on luck and timing. I liked traveling without the certainty you can have these days. But I also like traveling now and using Yelp and finding the one great restaurant in a small city that in the past I might’ve had a 30 percent chance of stumbling upon.

What’s the best—or worst—car trip you’ve been on?

Oh, it seems the best and worst trips always merge to be the same thing over time, don’t they? I’ve driven cross country more times that I can correctly tally, but one trip comes to mind right now. It was with my friend Charlyn in her Volkswagon Vanagon around 1993. The heat in the van was stuck on high and we drove the Southern route from San Francisco to New Hampshire in June. I had to keep my feet propped on the dash at all times to avoid the steady stream of hot air. It was a stick shift and so Charlyn had to drive the whole way. I remember we also forgot a map and so decided it would be fun to navigate the country via a Big Boy restaurant placemat that we had kept that showed a crude outline of the US with all the Big Boy locations on it. The camper broke down on the way back (taking the Northern route) in Laramie, Wyoming, and we had to wait 5 days for a part to be shipped there. The mechanic let us stay in his tool room. I recall partially paying him—he was German, his name was Franz I’m almost certain—in homemade oatmeal cookies.

About the Author

Sherrie Flick is the author of the novel Reconsidering Happiness and two short story collections, Whiskey, Etc. and Thank Your Lucky Stars. Her stories have been performed for Selected Shorts and appear in Ploughshares, New World Writing, and wigleaf, as well as the anthologies Flash Fiction Forward, New Sudden Fiction, and New Micro. She served as series editor for The Best Small Fictions 2018 with guest editor Aimee Bender and is co-editor for Flash Fiction America, forthcoming from Norton in 2022.

About the Interviewer

Brandon Wicks is the associate editor for special projects at SmokeLong Quarterly. He is a freelance writer and illustrator based in Philadelphia. His debut novel, American Fallout, will be published by Santa Fe Writers Project in 2016. His fiction has appeared or is forthcoming in Pembroke Magazine, Potomac Review, Sou’wester, and other journals.

About the Artist

Alexander C. Kafka is a journalist, photographer, and composer in Bethesda, Maryland. He created the cover image for Lost Addresses: New and Selected Poems by Diann Blakely (Salmon Poetry, 2017). His work has also been published at All Things Fashion DC, BuzzFeed, Fast Company, Juked, Vice, The Washington Post, The Writing Disorder, and many other periodicals. He has been on the documentation team for the Washington Folk Festival at Glen Echo and is a contributing concert photographer for DMNDR. Kafka studied fine-art figure photography with Missy Loewe at the Washington School of Photography and portrait photography with Sora DeVore at Glen Echo Photoworks.

This interview appeared in Issue Forty of SmokeLong Quarterly.
SmokeLong Quarterly Issue Forty
ornament

Support SmokeLong Quarterly

Your donation helps writers and artists get paid for their work. If you’re enjoying what you read here, please consider donating to SmokeLong Quarterly today.

SmokeLong Fitness--The Community Workshop

Next Date to Join: January 1!

On September 1, SmokeLong launched a workshop environment/community christened SmokeLong Fitness. This asynchronous community workshop is happening right now on our dedicated workshop site. If you choose to join us, you will work in a small group of around 10-12 participants to give and receive feedback. Each Monday, you will receive a new writing task (one writing task each week) designed by the senior editor team of SmokeLong. The core workshop is asynchronous, so you can take part from anywhere at anytime. We are excited about creating a supportive, consistent and structured environment for flash writers to work on their craft in a community.