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Smoking With Jon McConnell

Interview by Nancy Stebbins (Read the Story) June 25, 2013

Jon Chaiim McConnell

art by Alexander C. Kafka

What is the relationship of the narrator to the person whose life he is inhabiting?

Imaginary.

Every new turn feels surprising: the USS Dinette. The cat. The toothpaste. What was your process?

Once I had the basic premise of someone really really misunderstanding squatter’s rights, all of those details presented themselves very quickly, so it became a matter of culling them down to my favorites. I love when characters take a lot of minor, stupid things very seriously.

Tasting “the stumble of your life” is so evocative. What does it mean?

I think that has to depend on the reader, right? Evoking anything at all is really the goal. Which sounds like I’m dodging the question, but that was the purpose of the line—to gather up the story and take it somewhere else. To me it goes to a very specific and anxious young place where thoughts like the ones in the story can exist. But that’s just me.

What are you working on now? Any other work forthcoming?

I’ve got a longer story forthcoming later this summer in Requited, which feels very different to me from this one in some ways. Even looser reality kind of ways. I’ve been letting myself write weirder and weirder. And the story I’m currently working on is an extension of that, though how far it extends remains to be seen.

I think of a title as a sort of lens through which the reader can see the story from a particular perspective. The title of this piece was originally “Chinatown Baklava,” but you changed it after staff input/feedback. How do you think that might change a reader’s perception of the piece?

My hope is that it draws a reader’s attention to a layer of narrator/character disconnect (beyond what the shift to future tense might). Or at least does some work to question where exactly this story is coming from. I liked the original title but it doesn’t do a lot. And the more I think about this new one and the way it even grammatically relates to the story (and the consequences of that) the more I love it. So, thank you all for that.

About the Author

Jon Chaiim McConnell (@JonMcConn) is a graduate of the Emerson College MFA program and the fiction editor of Redivider’s Spring 2013 issue. He works as a filmmaker in the Boston area. This is his first published story.

About the Interviewer

Nancy Stebbins is a psychiatrist, a Flash Factory groupie, and an MFA student at Pacific University. Her short stories have been published in The Summerset Review, Grey Sparrow Journal and other places. She shares a blog with three other Pacific students: http://pop-upprincesses.blogspot.com.

About the Artist

Alexander C. Kafka is a journalist, photographer, and composer in Bethesda, Maryland. He created the cover image for Lost Addresses: New and Selected Poems by Diann Blakely (Salmon Poetry, 2017). His work has also been published at All Things Fashion DC, BuzzFeed, Fast Company, Juked, Vice, The Washington Post, The Writing Disorder, and many other periodicals. He has been on the documentation team for the Washington Folk Festival at Glen Echo and is a contributing concert photographer for DMNDR. Kafka studied fine-art figure photography with Missy Loewe at the Washington School of Photography and portrait photography with Sora DeVore at Glen Echo Photoworks.

This interview appeared in Issue Forty of SmokeLong Quarterly.
SmokeLong Quarterly Issue Forty
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SmokeLong Fitness--The Community Workshop

Next Date to Join: January 1!

On September 1, SmokeLong launched a workshop environment/community christened SmokeLong Fitness. This asynchronous community workshop is happening right now on our dedicated workshop site. If you choose to join us, you will work in a small group of around 10-12 participants to give and receive feedback. Each Monday, you will receive a new writing task (one writing task each week) designed by the senior editor team of SmokeLong. The core workshop is asynchronous, so you can take part from anywhere at anytime. We are excited about creating a supportive, consistent and structured environment for flash writers to work on their craft in a community.