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“Shock of emotion”: An Interview With Guest Reader Sumita Mukherji

Interview by Shasta Grant November 11, 2019

What do you love about flash fiction, either as a reader or a writer?

As a writer, I love the challenge of bringing characters to life and thinking of ways to create a resonant story in such a compressed form. As a reader, I love the shock of emotion I feel in a powerful flash piece, and marvel at how the writer has done that so quickly.

Are there certain themes you find yourself returning to in your work?

I often come back to the themes of fraught family relationships or characters who feel they don’t have a sense of belonging in the world. The endless complexities of these themes drive me toward them.

What is the best (or worst) writing advice you’ve received?

I’ve had a lot of great advice over the years. Lately I’ve been reading Alice Mattison’s The Kite and the String. The book is a good reminder to keep a story’s forward momentum going through action (that is, action that also signifies emotion) rather than having emotional reactions only carrying a piece along.

What kind of story would you love to find in the queue this week?

I would love to see stories from the perspective of an outsider (an outsider in comparison to the norms of society, or whatever an “outsider” means to the writer of the story).

About the Interviewer

Shasta Grant is the author of When We Were Feral (Regal House, 2026) and Gather Us Up and Bring Us Home (Split Lip Press, 2017). Her stories and essays have appeared in Kenyon Review, Cream City Review, Epiphany, Heavy Feather Review, wigleaf, and elsewhere. She was a 2020 Aspen Words Emerging Writer Fellow and the 2016 SmokeLong Quarterly Kathy Fish Fellow. She has received residencies from Hedgebrook and The Kerouac House. She holds an MFA in writing from Sarah Lawrence College and is the Coordinating Editor at SmokeLong Quarterly.

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