Flash Fiction Day Top Ten: Claire Polders’ Favorite “(Dead) Father” Flashes
June 24 was National Flash Fiction Day in the U.K. Although the festival across the pond is over, we at SmokeLong Quarterly would like to keep the party going for a few more days.
In celebration, we asked several amazing writers of flash fiction to share a top ten list of flash favorites on a topic of their choice. SmokeLong contributor, Claire Polders, has a story featured in the National Flash Fiction Day anthology, Sleep Is A Beautiful Colour. Today, she shares her favorite flash stories featuring (dead) fathers.
by Claire Polders
This year’s theme for the National Flash Fiction Day anthology was “Life as you know it.” I interpreted that as autobiographical writing, and whenever I turn toward my own life for inspiration, I often end up writing about my father, who died way too young. The small piece I submitted to the anthology, “Swing State,” was accepted (thank you Tino, Meg, and Calum!) and reading it back in the proofs, I wondered what other flashes were out there dealing with fathers, dead or alive. Here are some of my favorites:
“My Father Took Me To Watch” by Mai Nardone (published by Tin House, the Open Bar).
Mai Nardone’s story startled me with its first sentence in which the callousness of a father is portrayed. And there was a lot more to discover as I read on. About the responsibility of being a first-born. About what it means to keep secrets from your “noosed mother.” A cruel but beautiful read.
“Letter to a Funeral Parlor” by Lydia Davis (published in The Collected Stories Of Lydia Davis, excerpt made available by NPR).
Lydia Davis is a huge inspiration for me, so a list without one of her stories would seem incomplete. In this flash, she expresses the anguish of grief by focusing on the absurdity of the way we deal with death in our society. Who can disagree with her when she writes: “Cremains sounds like something invented as a milk substitute in coffee, like Cremora, or Coffee-mate.”
“Sometimes My Father Comes Back from the Dead” by Steve Edwards (published in SmokeLong Quarterly)
It’s hard not to love a good ghost story. What I admired in Steve Edward’s flash was the optimism in the narrator’s voice and the perceived innocence of his father’s presence. It made me wish my own father would drop by sometimes so I could love him without reserve for the man he was.
“Relic” by Aubrey Hirsch (published in The Journal of Compressed Creative Arts)
I selected this story by Aubrey Hirsch because of its seducing reticence. By focusing on a dining room table, the narrator tells us about her father’s tragedy and her response to it. It’s a talent to let something as hard as wood reveal so much emotion.
“Father’s Return from War. Topics” by Horia Gârbea (published by Words Without Borders)
What can you know about a father who goes to war when you stay behind as a child? What can you imagine? In this ingenious story by Horia Gârbea, I was treated to nine versions of a history that left me wondering how many of them were mutually exclusive.
“Timbre and Tone” by Sudha Balagopal (published by Jellyfish Review)
In Sudha Balagopal’s flash about a father’s funeral she brilliantly shows the mystery our parents are to us. Here’s a daughter who tries to figure them out, pin them down, so that by her understanding their actions might hurt her less. But in the end, they keep surprising her, which, surprisingly, comes as a relief.
“Empire State Building” by James Yates (published by matchbook)
Should we hate or love our fathers for their lies, their exaggerations, their obsessions? In this touching story by James Yates, in which more is said than written, I was left pondering that interesting question.
“The Hand That Wields The Priest” by Emily Devane (published by Bath Flash Fiction Award)
In Emily Devane’s story an entire relationship between a father and his daughter is transformed by one well-chosen scene. “That night, his hand felt different on my head.” I felt it, too.
“Candles” by Paul Maliszewski (published by Gulf Coast)
Stories about fathers are often about authority. Paul Maliszewski strikingly shows how a son deals with the authority of both church and father and finds invisible ways to be defiant.
“Reunion” by John Cheever (published in The Stories of John Cheever and anthologized in Sudden Fiction)
I’m not a son and my father was the opposite of the man in John Cheever’s story, but when reading this flash I am that young man, so excited to meet with my father and in the end so… oh, just read it.
Plus One. Are they flashes or chapters of a novel? Whatever they are, Justin Torres writes beautifully about fathers in We the Animals. An excerpt, “Heritage,” was published by Granta.
Claire Polders is a Dutch author of four novels with a debut in English on the way. Her short prose most recently appeared in TriQuarterly, The Offing, Connotation Press, New World Writing, Necessary Fiction, Cheap Pop, and elsewhere. You can find her at @clairepolders or www.clairepolders.com.