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Our Ten Most Popular Stories of 2017

December 31, 2017

As we close out an amazing year of flash fiction, I wanted to take a moment to thank all of our contributors—the writers who sent us their beautiful words, the artists who contributed their amazing work, the interviewers who brought the stories behind the stories to life, and most of all our guest editors, who read thousands and thousands of stories, helping us select the very best for our weekly publication.

I also want to thank the SmokeLong staff editors, who I’m grateful for every single day. Our staff is a kind of magic, and I feel very lucky to be among a group of smart, talented, thoughtful, kind, savvy writers and editors. Thank you for all you do.

And one final special shout-out to our 2017 Kathy Fish Fellow, Allison Pinkerton. We so enjoyed working with Allison this year and seeing the great stories come to life in both SLQ and other publications, and we are thrilled that she’ll be staying on to work with us in 2018.

~Tara Laskowski

And now, one final look-back before we set our sights on the new year. Here are the 10 most popular stories we published in 2017—and your chance to read them if you missed them the first time around.

  1. Shit Cassandra Saw That She Didn’t Tell the Trojans Because at that Point Fuck Them Anyway by Gwen Kirby

This was by far the most popular story of the year—getting more than triple the number of hits of any other story or blog we posted. Gwen’s story hit a nerve with a lot of folks, who shared and tweeted the link all throughout the year. We are not surprised. It’s a delight.

  1. I’m Such a Slut and I Don’t Give a Fuck by Jen Michalski

Is the secret sauce for popular stories having the ‘f’ word in the title? Nope. The secret sauce is writing a story that lingers and stirs—and this gem by Jen about an aging rock star does both.

  1. Wolves by Bud Smith

From guest editor Daniel DiFranco, who selected this story, “I picked ‘Wolves’ because of its strong lyrical voice, sense of whimsy, and command of storytelling. It’s an Aesop’s fable for the modern day.”

  1. All of Us Are in Pieces by Melissa Goode

“‘All of us are in pieces’ is outstanding,” said guest editor Mel Bosworth. “It’s quiet and precise and has great movement. Big things happen but the tone remains the same. It’s got a great hum to it.”

  1. Manatees by William Todd Seabrook

Guest editor Kim Winternheimer said, “‘Manatees’ does everything a good piece of flash should do: it tells a great story in an economical way. ‘Manatees’ explores a passive attitude about death. How easily a group can move on from losing a member and what that means for the individual who is lost. A great question. All of this in just under 300 words. Wow.”

  1. How to Be Another Person in Five Days by Rebecca Bernard

“This story struck me immediately, with its odd, imperative voice of instruction,” said guest editor Leslie Pietrzyk. “We’re offered an immediate narrative drive—what will happen in five days?—and writerly authority, as we never question why we might want to be another person in five days. I’m still not done with this story; I find something new to admire each time I read these words.”

  1. Missed Connections by Kevin Hatch

“I love how the character’s fantasy spirals in such weird, surprising ways that feel very true to the voice,” says Tia Clark, the guest editor who chose this story.

  1. Dream Barbie by Mamie Pound

Our staff editor Brandon Wicks fell in love with this whimsical piece, calling it “economical and punchy” and a “a humanizing and disturbing reflection of our current moment.”

  1. I Utide by Lone Vitus

From our Global Flash series, this Danish story was chosen by guest editor and translator Sinéad Quirke Køngerskov, who said, “This story captured my curiosity – we are a society obsessed with linear time. We are supposed to take advantage of every second, move forward like the clock and be “busy” all the time. When do we ever just ‘feel’ time like the author describes? The story offers the reader to pause and reflect like a little meditation. That resonated with me.”

  1. Good Boys by Tamara Schuyler

Staff editor Shasta Grant selected this story. “If a story could punch me in the gut, this one did. Somehow the writer managed to make my heart break for these two boys, even though they are doing such a terrible thing. Every sentence crackles with energy and heart.”


This coming year is shaping up to be a memorable one, with our 15th anniversary rapidly approaching, our new Kathy Fish Fellow Tochukwu Okafor, and more fabulous flash fiction. We’ll see you all at AWP and elsewhere. Keep up to date with all our news by signing up for our mailing list serv at http://eepurl.com/bkyV_D


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From sentence-level craft concerns to questions of overall approach, this 90-minute webinar will explore strategies for adding shape, intensity, and depth to your flash creative nonfiction.

Steve Edwards is author of the memoir BREAKING INTO THE BACKCOUNTRY, the story of his seven months as caretaker of a 95-acre backcountry homestead along federally protected Wild and Scenic Rogue River in Oregon. His work has appeared in Orion MagazineThe Sun MagazineLiterary HubElectric LiteratureThe Rumpus, and elsewhere. He lives outside Boston with his wife and son.