×

SmokeLong Quarterly

Share This f l Translate this page

Smoking With Sue Williams

Interview by Davin Malasarn (Read the Story) September 29, 2010

Sue Williams

Smoke Me! by Paula Iannuzzi

You set your stories in Thorpe Village. Why is this place of special importance?

When I was young, I lived in a place very similar to the village I’ve called “Thorpe Village” in my piece. Apart from the pub, the whole place was unbearably lonely and quiet — most of the folks who lived there were elderly and we rarely saw any of the neighbors. As far as I know, I was the only teenager living in the village, and because there were hardly any buses into the city, I felt totally cut off. As an adult, when I decided to write the triptych “Bedtime in Thorpe Village…”, I wanted to focus on different ways of feeling alone, and it struck me that a certain kind of English village can be one of the loneliest places on earth.

The theme of presence versus absence is very strong in these stories. Nancy and Tommy are losing their presence while Rosemary is gaining hers. Given the ages of these characters, were you trying to tell younger people to be hopeful? How important is the sequence of these three pieces?

Yes, you’re right. I did want to give younger people hope, and the sequence of these narratives speaks to that. Also, I believe it can take many years for us to truly begin to find ourselves, particularly when we’ve known abuse and/or pressure. For me, Rosemary embodies this. I am also struck by how many of us become comfortable in our sexuality when we are older. The idea that sex, intimacy and passion have to stop at a certain age is false, and causes a great deal of misery. Rosemary, in spite of her complex decisions, is triumphant; but Nancy and Tommy don’t yet possess her freedom — being young can be incredibly hard, and I wish to acknowledge that.

“Bedtime” is such and interesting word, usually with innocent connotations. Why did you choose that for your title?

That’s a good question. For many, “bedtime” is a moment of rest and safety, but for some, it brings loneliness and trauma. In my story, I hope the innocent connotations of the word shock us out of our assumptions. Bedtime can be terrifying or liberating, beautiful or devastating. I want us to appreciate this complexity, rather than entirely buying into the stereotype of the wholly loved child.

And, you’ve been working on a series of chap books. Can you tell us more about those?

Thank you for asking! I have recently completed two chap book projects. “Authors Anonymous” is a flash fiction project written collaboratively by my fabulous writing group. We are obsessed with flash fiction, and it has been exciting to explore the form together. We’ve certainly become more daring with structure, theme and form. I have also written my own flash fiction chapbook, entitled, “They Say We Don’t Exist”. Through these flashes I question what it means to be different, and how, when standing apart from the collective, we often struggle to be seen. Of course, when we write and read about those who are perhaps less “seen” by society, we actively challenge the dynamic.

About the Author

Sue Williams is a book and magazine editor for Narrative, who also teaches creative writing at Grub Street. Her work has appeared or is forthcoming in Narrative, Night Train, Salamander, Redivider, the Yalobusha Review, Hint Fiction: a Norton collection of stories, and elsewhere. Recent awards include first place in the Carolyn A. Clark 2009 Flash Fiction Prize, and the Glimmer Train Best Start Award. She is working on a series of chapbooks, one of which she has written in collaboration with her writing group. Sue, a Brit, now lives in the Boston area. She can be found online at: www.suewilliams.co.uk.

About the Interviewer

Davin Malasarn was born in 1978 and lives in Pasadena, California. He’s published stories in Rosebud, The Storyteller, and Insolent Rudder, among others. His story “A Boy In The Sky” was nominated for a Pushcart Prize. He’s currently working on a novel about a man who returns to Thailand for the cremation of his mysterious brother.

About the Artist

Paula Iannuzzi on Instagram

This interview appeared in Issue Twenty-Nine of SmokeLong Quarterly.
SmokeLong Quarterly Issue Twenty-Nine
ornament

Support SmokeLong Quarterly

Your donation helps writers and artists get paid for their work. If you’re enjoying what you read here, please consider donating to SmokeLong Quarterly today.

SmokeLong Fitness--The Community Workshop

Next Date to Join: December 1!

On September 1, SmokeLong launched a workshop environment/community christened SmokeLong Fitness. This asynchronous community workshop is happening right now on our dedicated workshop site. If you choose to join us, you will work in a small group of around 10-12 participants to give and receive feedback. Each Monday, you will receive a new writing task (one writing task each week) designed by the senior editor team of SmokeLong. The core workshop is asynchronous, so you can take part from anywhere at anytime. We are excited about creating a supportive, consistent and structured environment for flash writers to work on their craft in a community.