SmokeLong Quarterly

Share This f l Translate this page

Smoking With Katy Gunn

Interview by Brandon Wicks (Read the Story) March 27, 2012

Katy Gunn

art by Ashley Inguanta

Tell us how this story came about.

I was interested in the special “things” between people—relationships that can feel almost tangible, or like a third party that is always present. Especially relationships that get bulky enough to stumble over.

I enjoy how the Madness becomes so concrete as a character that it leaves the realm of metaphor—it eats the women’s shoes, gets bathed, and reacts beautifully to its coming-of-age party. Was this your intent from the beginning or was it a decision you discovered while drafting and revising the piece?

I’ve been told otherwise, but I think it was a logical direction. Even the most static relationships aren’t static. They’re always being altered by small things. The madness in this story changes with the changes between Ruth Ann and Ira.

I was also delighted that the Madness, described as rodent-like, also has “an old-man nose.” How or why did you come to visualize it this way?

I tried really hard not to visualize it entirely. I wanted it to stay sort of mysterious, since it does belong only to Ruth Ann and Ira. They’re the only ones who can see it, and they spend a lot of time choosing not to. And it’s always changing. Later it gets a proboscis, a backpack, and an antler. It really loves the antler.

I would, too. Lastly, there’s room to read the relationship between Ruth Ann and Ira in at least two ways here: as platonic roomies or as a couple fraught with the desire (or conflict) to have children. What’s their backstory?

They’re a couple, and fraught, yes. This piece is the first section in a larger project that watches them break apart. The madness has not grown to full size, as Ruth Ann hopes. There’s a lot more of it for her to contend with later on.

About the Author

Katy Gunn is currently an MFA candidate at the University of Alabama. Her writing has appeared or is forthcoming in Super Arrow, Alice Blue Review, elimae, and The Offending Adam, among others.

About the Interviewer

Brandon Wicks is the associate editor for special projects at SmokeLong Quarterly. He is a freelance writer and illustrator based in Philadelphia. His debut novel, American Fallout, will be published by Santa Fe Writers Project in 2016. His fiction has appeared or is forthcoming in Pembroke Magazine, Potomac Review, Sou’wester, and other journals.

About the Artist

Ashley Inguanta is a writer, art photographer, installation artist, and holistic educator. Her work has most recently appeared in Atticus Review, Santa Fe Literary Review, and the anthology The Familiar Wild: On Dogs & Poetry. Her newest chapbook of poems, The Island, The Mountain, & The Nightblooming Field honors a human connection with the natural world.

This interview appeared in Issue Thirty-Five of SmokeLong Quarterly.
SmokeLong Quarterly Issue Thirty-Five

Support SmokeLong Quarterly

Your donation helps writers and artists get paid for their work. If you’re enjoying what you read here, please consider donating to SmokeLong Quarterly today.

The Hybrid Flash: How to Dual-Wield Genre

Book Now!

The Hybrid Flash with Erin Vachon

In this webinar/workshop, you will harness the experimental power of hybrid flash. You will discover the intertwined history of hybrid and flash, and read published flash crossed with image, poetry, and creative nonfiction. You will learn the rules of each genre, so you know how to break them.