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Smoking With Curtis Smith

Interview by Stefani Nellen (Read the Story) December 21, 2009

Curtis Smith

mask of smoke by Julian Schwarze

This is a very understated piece. For example, it’s not mentioned which distances he ran, for which school, or what kind of dancer his girl friend is. This makes the few specific details all the more intriguing: The fact that the statue was of a Civil War hero, for instance (and not a random heap of metal), the humid night of his accident, the peach blossoms. I wonder whether these are deliberate choices. And are there connections between these choices and the theme of running?

I wanted the piece to be as sparse as possible—yet I wanted it to create a vivid picture. So I went with more details and a very skeletal frame. The aspect of the setting—the summer night, the smell, the statue—all of that came from my visits to a friend’s house in Richmond. Those details always hung with me, and they worked their way into this piece.

Reading this story more closely, I found that the last paragraph contains such peaceful, gorgeous images: his soul at rest, the track gliding beneath his feet, the thick scent of blossoms. Yet there is also an overwhelming sense of loss. Trying to understand the runner, I wondered which feeling is stronger in him: Happiness because he has these memories (and he can still appreciate the beauty of the dance in a way others might not), or sadness at what he has lost? Would he be happier if he never had run?

I think he’s happy to have known such a time—and happy to be reminded of it through his girlfriend’s dancing. Of course that comes with a bit of melancholy, but most happiness has an element of that.

For some reason, I assumed he met his girlfriend after his accident. And I would go even further in assuming that he has never told her about his past as a runner. She is dancing for him, but he is really watching himself. Is he really that much of a narcissist? Or is their story (as a couple) different?

To be honest, I never thought of anything in their relationship beyond the moment of the story. To me, the before and after for these two isn’t as important as the now.

As a fan of running, I have to ask: Why did you make him a runner, as opposed to, say, a dancer? Is it the solitary aspect of this particular sport? Or were you more interested in the transient nature of athletic/ physical gifts in general? Could he also have been a swimmer, for instance, or a football player?

I’ve been a runner for many years—not a great one by any means, but I’ve put in my miles. I was attracted to the solitary nature of running—the experience only he could know and understand. I think that makes both the memory and the sense of loss more compelling.

About the Author

Curtis Smith’s stories and essays have appeared in over one hundred literary journals and have been cited by The Best American Short Stories, The Best American Mystery Stories, The Best American Spiritual Writing, and The Best Small Fictions.

Smith has published five collections of fiction, the first two with March Street Press and the last three with Press 53. He has published three novels, the last two with Casperian Books, and two essay collections (Sunnyoutside and Dock Street Press). His latest book, a personal take on Slaughterhouse-Five, was recently put out by Ig.

About the Interviewer

Stefani Nellen is a psychologist-turned-writer living in Pittsburgh and the Netherlands with her husband. Her short fiction appears or is forthcoming in VerbSap, Bound Off, Hobart, Smokelong Quarterly, Cezanne’s Carrot, FRiGG, and Apex Digest, among other places. She co-edits the Steel City Review.

About the Artist

Julian Schwarze, born on May 12, 1989 in Frankfurt / Main, studied product design at the University of Art and Design Offenbach, graduated in 2015 and is currently a research associate and PhD student in project-mo.de with a focus on mobility design. His doctoral thesis deals with system transitions in mobility spaces and their user-centered design. During his studies he completed internships in design offices in the Netherlands and Hamburg. The main focus was on  brand- and user-centered design of industrial products, everyday products and packaging.

This interview appeared in Issue Twenty-Seven of SmokeLong Quarterly.
SmokeLong Quarterly Issue Twenty-Seven
ornament

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