Smoke and Mirrors—An Interview with Debbie Kinsey
by Cyn Vargas Read the Story June 22, 2015
This story is so intriguing. Have you considered making it into a longer piece?
I struggle to write longer pieces, even when I intend to, so normally my answer to this would always be no. But not in this case. I feel there’s more to this narrator’s story—how being surrounded by objects telling her she’s not wanted has haunted her for her whole life without her knowing it, but also then what it means to discover both this “haunting” and that neither of her parental relationships were what she thought. So, we’ll see!
The father in the story believes girls are made of sugar and spice. What do you believe they are made out of?
What interests you about the flash form?
I think good flash fiction is both a whole entity in itself, and a small fragment that speaks of something greater/wider than itself. It’s both a house and a window. It’s incredibly difficult to get that balance, and I hope one day to write something that finds it.
What’s the special furniture the father made for the narrator?
I imagine a bed, bookshelves, wardrobe and desk, beautifully handcrafted from wood, with carvings of fairies and flowers—an apparent physical representation of her father’s love (hiding his darker side written underneath). But the reader owns the story now, so whatever you think is equally true and valid.
If you could write one saying on the walls for someone later to find, what would it be?
It would depend on who that someone was, but as a general rule for humanity: “Don’t be a dick”
About the Author:
Debbie Kinsey lives in Yorkshire, UK, on a diet of tea and cake. She has previously been published in Ink, Sweat & Tears, and The Pygmy Giant.
About the Interviewer:
Cyn Vargas’ short story collection, On The Way (Curbside Splendor, 2015) received positive reviews from Library Journal, Newcity, Shelf Awareness, Heavy Feather Review, and elsewhere.
About the Artist:
Ashley Inguanta is a former art director of SmokeLong Quarterly and author of three poetry collections: The Way Home (Dancing Girl Press, 2013), For the Woman Alone (Ampersand Books, 2014), and Bomb (Ampersand Books, 2016). Next year, Ampersand Books will publish her newest collection, The Flower, about how death shapes us.
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