Listen Up! The Issue 62 Playlist is Here!
Listen to the Issue 62 playlist on Spotify! We decided to wait until after the holidays to bring this to you. Enjoy!
Brendan Stephans, “Rascal” – “For Wanda” by Silver Mt. Zion
This is one of the few memorial songs about a dog that I know about. It also seems fitting since it is a single melody that builds and swells around it, which is kind of like my one-sentence story.
Shelli Cornelison,”Trespassers” – “Almost Lover” by A Fine Frenzy
I chose this song because the narrator in “Trespassers” is unable to fully let go of two early relationships, or more accurately, her romanticized fixation on them, to the point those memories have a negative impact on her ability to form lasting relationships so many years later. She’s cherry-picked ideals from those almosts of her youth and uses them as comparison measures in her adulthood.
Ashley Kalagian Blunt, “The Unicorn” – “Who Do You Think You Are” by Spice Girls
Of course The Unicorn’s song is “Who Do You Think You Are” from the Spice Girls. The main character isn’t just channeling their fashion sense, she’s definitely got her favourite ladies on her ears buds. There’s no better mantra than trust it, use it, prove it, groove it.
Ashton Carlile, “Earlove” – “Geyser” by Mitski
In my story, the narrator goes to see a movie where there’s yelling involved to feel the vibration/release of it without having to actually scream herself. Sometimes you need someone to do the screaming for you. I listen to Mitski, particularly this song, when I feel like screaming but I’m too tired. Her voice makes everything bubble up to the surface. She just…makes me sob!
Judy Darley, “Milk and Other Lies” – “Man of A Thousand Faces” by Regina Spektor
I love Regina Spektor’s vivid, quirky imagery – she’s an amazing storyteller through her songs.
Ashan Butt, “Moon” – “The Big Sky” by Kate Bush
The song’s perpetual lift, Kate’s lyrics and her deeply touched vocals all express what I hope awaits Raheem. I wish him to be ecstatic, at peace with his isolation, wide-eyed and blissfully watching the big sky. And then the song’s video (*please* watch the video — https://www.youtube.com/watch?v=sV7w5TaYjRA) is an uncanny stage of state propaganda. Whether Lajiristan’s or ours, it’s just… remarkably accurate.
Taryn Tilton, “Garden Snake” – “One More” by Yaeji
There’s an insufficient apology in my story, as there is in this quietly devastating song.
Ellen Rhudy, “Glory Days” – “Big Change” by Swearin’
This song captures so well the feeling of being young, discovering who you are, escaping something (or someone). I imagine my narrator will get along with this song if she manages to get out of her town.
Trevor Fuller, “A Short History of Those Who Came Before Us” – “The Power of Love (You Are My Lady)” by Air Supply
I’ve been somewhat taken with this song since I heard it at the end of Adam Wingard’s Death Note adaptation. It was a song I already knew and didn’t really care about, but I thought it was a weirdly appropriate choice there and imbued the song with new significance, and now it seems like an appropriate choice for this considering the content of my story, which has the beginnings and endings of several different relationships and is maybe a little sensational, like the song.
Brooke Fossey, “The Great Abide” – “Wake Up” by Arcade Fire. “Wake Up” is a perfect fit for “The Great Abide” because it’s a retrospective look from someone who’s escaped the likes of Ginger and Cassidy’s dad. If you play it after the read, it adds a whole different dimension to the story.
Christopher Drew, “Alligator” – “Losing My Religion” by R.E.M.
Maddy Raskulinecz, “What I Have Coming to Me” – “Godmother” by Holly Herndon and Jlin, featuring Spawn
Stressful and catchy. The frantic breathy noises and vocalizations remind me of my story, and there’s an exciting mother/daughter dynamic between the human artists and the computer they trained to generate the song by imitating them.
Laurinda Lind, “Itinerary” – “I’ll Fly Away” by Gillian Welch and Alison Krauss
Uses the flight metaphor, also contained in the flash piece, and the suggestion that things on the earth here aren’t terrific, and it might be so nice to get away elsewhere.
Kaitlyn Rice-Andrews, “Second Base” – “The Best of What’s Around” by Dave Matthews Band
This is a totally sincere pick, I promise. As an adult I’ve become nostalgic for the past and curious (and anxious) about the future. I’m equally fascinated and repulsed by technology, and I think the teens in “Second Base” feel this same tug-of-war, torn between wanting to be adults and wanting to be kids. It’s like when you were a kid and you thought braces were cool. Until you had braces. Not cool. “The Best of What’s Around” is one of DMB’s earliest songs, one that most exemplifies my high school years, one that I have I listened to so many times and sung at concerts so many times. Pretty sure I’m supposed to feel ashamed about this, embarrassed about my love of something that eventually became uncool, but I think that’s why I love it so. If being an adult means I have to give up this song, I don’t think I want to be an adult.
Vivien Cao, “There Weren’t Even Any Bubbles” – “I’m Forever Blowing Bubbles” by Doris Day
I grew up with classic American movies and songs like this one, mindlessly blaring in the background and seeping into my subconscious. Aside from a thematic connection to my story, I hadn’t realized how sad this song actually is since I had thought of it as a whimsical song from my childhood.
Elearnor Pearson, “The Riddle” – “Toussaint Grey, First in Life and Death” by Jeremy Messersmith
It captures the same feeling of regret and nostalgia that I was aiming for with my piece.
Kathryn Kulpa, “So Silent, So Still” – “Wonderful” by Brian Wilson and Van Dyke Parks
I chose it because I love the old-fashioned, fairy-tale mood it evokes, with the little girl wandering off into the woods. It’s also a song that retains a sense of mystery. No matter how many times I listen to it, I’m still not sure exactly what’s happening here, but that’s okay. I like that not every question is answered.