Issue 60 Playlist
Listen along to Issue 60’s playlist on Spotify!
K.C. Mead-Brewer, “The Cover-up” – “Maneater” by Lower Dens
Lower Dens is a bright star in Baltimore’s dream pop sky. I like their cover of “Maneater” as a complement to “The Cover-up” not only for the sexual humor and cover/cover-up connection, but because it’s such a strong reinterpretation of the original song’s intention: It isn’t about a super confident, super sexy woman anymore. Now it has an almost melancholy irony to it, the titular maneater lacking the self-confidence that the lyrics imply, never letting anyone get too close.
Joy Baglio, “A Boy Who Does Not Remember His Father” – “Fantaisie for Violin and Harp in A Major, Op. 124: V. Andante con moto” Camille Saint-Saëns, Ruggiero Ricci, Susanna Mildonian
The violin in this piece creates a mood that feels akin to both the boy’s flights of imagination, as well as the loneliness, the sadness, the absence he feels. There is both a playful sense of vibrancy as well as a constant yearning, which reflects the mood of the story and seems like an apt parallel to the boy’s dreamlike visions of his father.
Alvin Park, “Whale Fall” (Grand Prize Winner) – “Switzerland” by Soccer Mommy
I feel like this is a song that the narrator and She would hold in their hearts at some point. The wistfulness of hanging onto love, of wanting to get away from things and start over again.
Samantha Burns, “Dark Little Spaces” – “Trust” by Flume
I found this song when I started this piece, and while I don’t usually listen to music with lyrics when I’m writing, the strangeness of it matched the tone of the piece and helped me get in the right headspace to work on it.
Kerry Cullen, “Taking Notes” – “Amie” by Damien Rice
To me, the narrator’s journey in this story is very much a coming of age. The world around her has suddenly become unsafe, and she responds by trying to learn how to keep not only her, but her own guardian safe, by herself. She knows this progression is a part of life (“Nothing unusual, nothing strange”) but at the same time, she still feels it very deeply, and she feels the existential malaise of going through something that everyone goes through, eventually, but that is still very difficult for her. (“But I’m not a miracle/And you’re not a saint/Just another soldier/On the road to nowhere”)
Jonathan Nixon, “Anywhere We’ve Ever Wanted” – “Brand New Sun” by Jason Lytle
I think this song really captures the yearning for something new. If Lydia and Viv were ever to take their road trip, I imagine “Brand New Sun” playing loudly on the radio while wind whips through the car’s open windows.
Elaine Edwards, “Satellite” (Third Place Winner) – “Arctic” by Sleeping at Last
For an instrumental, it more than hits every beat that I try to here, the melancholy and the depth and a vital, generous wonder.
Kathryn McMahon, “The Color of the Sea at Noon” – “Sadness Don’t Own Me” by the Staves
“Sadness Don’t Own Me” by the Staves and my story are both about someone not recognizing themselves because of how pain has shaped who they’ve become. This person needs to face their fears in order to make their way back to themselves, though they doubt they’ll do it.
Theresa Hottel, “Haunt” – “Phantasmagoria in Two” by Tim Buckley
I listen to this song a lot while writing. It makes me feel restless and haunted.
Jonathan Cardew, “’I’m Ron McRain,’ said Ron McRain,” – “The Whitby Lad” by The Watersons
The lad in this song could easily be Ron McRain; Whitby is obviously Whitby; and the refrain, “Oh son oh son, what have you done?” has a repetitive circularity to it, much like the title. Also, it’s a teeny-bit a love story, I think, so this verse:
“Oh, there is a lass in Whitby town, a girl that I love full well/ And it’s if I had me liberty, along with her I’d dwell.”
Jennifer Wortman, “A Matter Between Neighbors” – “I Need You” by Nick Cave
Like many great love songs, “I Need You” is also a dirge; its tender nihilism captures something of the mood I hope to evoke with my story.
Sara Allen, “The Reader in the Square” – “Nice For What” by Drake
It’s a flipped kind of girl power anthem. To me it’s a song about women being “real” and ignoring the scrutiny of social media, which could also be seen as an extension of the male gaze. I think it’s also about the fierceness of women despite their vulnerability when they love. . . that Lauryn Hill hook is killer. Also this song contains a big stylistic nod to New Orleans where my story is set.
Lyndsie Manusos, “Everything There is to Love on Earth” – “Under Stars” by AURORA
I imagined the character Zoe listening to this song to as she contemplates and processes her parents’ absence. It has a seemingly uplifting beat, but when you listen to the lyrics, it strikes me as a song about being alone in the universe.
Jessica Cavero, “Blemish” – “I Will Never” by Sóley
I think about these girls staying together over the years and how tenuous the narrator’s sense of self might become. She might say to herself: “I love you, but it’s time to go. I will never ever be your woman.”
Josh Weston, “The Good Old Days” – “Weed Wacker” by Mark Kozelek
According to my wife, I’m not doing myself or anyone else any favors by contributing a Mark Kozelek song, but this is my current summer jam. It features a guy having an interaction with a stranger in a public place and having an existential crisis about it. Think of it as a flash lyric memoir set to a looped acoustic riff and enjoy.
Molia Dumbleton, “How Leopards Sleep” – “Father Kolbe’s Preaching” by Wojciech Kilar