Issue 59’s Spotify Playlist!
Nine of our writers in Issue 59 contributed to our issue playlist. Their songs, stories, and the reasons they chose the tune follow. Listen below or on SmokeLong’s Spotify Channel!
“Reynardine” by Anne Briggs – Maia Jenkins, “History”
This Victorian English ballad has appeared in countless guises, but Anne Briggs’ a capella version matches the bare-bones dread I hope is evoked in “History.” The gruesome contrast between Briggs’ angelic soprano with the lyrics,”She followed him, his teeth so bright did shine. And he led her over the mountain, did the sly bold Reynardine,” is something I was trying to get at as I was writing. Really, the story–an enticing creature leads a young girl away to an ambiguously horrible fate–is the same as mine, and so many others, sadly.
“Caribbean Blue” by Enya – Tochukwu Emmanuel Okafor, “Watch, Watching”
Enya’s songs help me meditate, fill me with so much joy and inner peace. I listened mostly to Caribbean Blue while writing “Watch, Watching.” The main character of the story loved the song on repeat, and I could happily live with that for the period that I worked on his story. Enya’s music (alone) inspires my art.
“No Witness” by LP – Daniel Myers, “Body Snatcher”
I don’t really know if the lyrics connect with my story at all, but I listened to this song a lot while I was working on this story. The pace of the song constantly shifts, and I think this influenced my story’s tone.
“The Neighbors” by Jonathan Richman & the Modern Lovers – Amber Sparks, “The Noises from the Neighbors Upstairs: A Nightly Log”
So perfectly apartment living.
“A Long Time Ago” by First Aid Kit – Dana Heifetz, “Drowned”
I selected this song for a very simple reason–my netmaker said that she loves it; if she weren’t who she is, she even might have sung it to her beloved drowned.
“Pilgrim” by Balmorhea – Zach Yontz, “Winter Light”
This song reminds me of flat, quiet Midwestern nights and the silence of two people together in a car.
“This Must Be the Place (Naive Melody)” by Talking Heads – Lori Sambol Brody, “The Sky is Just Another Neighborhood”
The song starts with a one minute musical sequence that sounds equally innocent and uneasy; then David Byrne sings of longing, resignation, love, and hope, a rumination on what is “home.” This theme and emotions reflect how I feel when I reread “The Sky Is Just Another Neighborhood.”
“Eat Your Heart Up” by The Blow – Emily Jane Young, “Parasomnia”
Maybe a little too on the nose? In choosing a song, I thought first of The Blow, because so many of their songs offer a unique take on heartbreak, and there is often a heavy beat, which you’d want for a song with a heart as the main character. I listened to this album a lot in college, and while I didn’t specifically have it in mind when I wrote “Parasomnia,” this song must have been at least a subconscious seed for the story, as it includes both images of wanting to eat “your” heart and also a heart walking around in the world.
“Prélude à l’après-midi d’un faune” (“Prelude to the Afternoon of a Faun”) by Claude Debussy – Sumita Mukherji, “Lifeline”
This tone poem from Debussy is a musical evocation of the poem “Afternoon of a Faun,” in which a half-man, half-goat creature delights in memories of forest nymphs. I love it for its impressionistic nature, as I thought of my piece in a series of images, beginning with the ending image.