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Smoking With Tiff Holland

Gallaher's Cigarette Card - Boy Scout Series - Sucking Poison from a Dog Bite
Gallaher's Cigarette Card - Boy Scout Series
"Sucking Poison from a Dog Bite"
Tiff, the main character in this piece is an iconoclast, and someone people who grew up feeling different will strongly identify with. Is this character (at least loosely) based on you?
Yes, this character is based on me. This piece is a fictionalized account of my mother's first meeting with my ex-husband. Guess that's why I married my ex—he could stand up to my mother.

The tension between the mother and the narrator is consistent throughout. It's also very humorous! The girl drives her mother "crazy," and seems to almost thrill on it. Is this something that you experienced growing up? I'm wondering because it feels so emotionally true.
In real life, my mother hated that I was a jock and had no interest in my appearance. She owned a beauty shop and that drove me crazy. Mom was always singing and telling me who to be. She actually complained that I read too much! So, I'm familiar with this dynamic, to say the least!

How does power in this family's structure tilt within the story?
At the beginning at least, the girl is just an observer caught between an initial encounter between two people who she feels are more powerful- the boy because he has the guns, the mother because she knows the mother's power. The main character is amazed the boy holds his own with the mother whereas she "works around" the mother.I'm glad the voice seems reliable. Any lies the narrator tells she's learned to tell out of necessity.

Have you written/are you writing more stories based loosely on yourself and your family?
I have already written a number of stories with both the mother and the daughter (together and separately) some based more on fact, others more on fiction. The beauty shop alone (a haven for local transvestites) provides tons of material.

How is your process different when writing flash fiction versus writing poetry?
I "write my way into" fiction- flash or longer stories. Poems occur to me. They're born whole. I write them down when I can't bear for them to be under my skin any longer. I do try to insert poetry in my prose, and those parts tend to come to me whole. I find myself typing as fast as I can to keep up.

Read First Husband.

Issue Twenty-Six (September 28, 2009): The Teaching Assistant and the Math Professor by Shaindel Beers «» Ask for This by Myfanwy Collins «» Arrows by Lydia Copeland «» Pregnant With Peanut Butter by Michael Czyzniejewski «» How to Disappear Completely by Nadine Darling «» The Guitarist by Will Donnelly «» Prague by Kathy Fish «» Record Albums by Sherrie Flick «» Cooped by Alyson Foster «» Eye by Foust «» Grendel by Steven Gullion «» First Husband by Tiff Holland «» They Marched Into Fields by Jamie Iredell «» Port of Spain by Beverly A. Jackson «» Nobody Like You by Jeff Landon «» Little Girls by Tara Laskowski «» Office at Night by Pamela Painter «» So Long by Ellen Parker «» Quiet Things by Lauren M. Spencer «» My Girlfriend Leaves the Atmosphere by Angi Becker Stevens «» In Julie's Place by S. A. Tranter «» Blue-Suited Henchman, Kicked Into Shark Tank by Kevin Wilson «» 2 / 8 by Joseph Young «» Interviews: Shaindel Beers «» Myfanwy Collins «» Lydia Copeland «» Michael Czyzniejewski «» Nadine Darling «» Will Donnelly «» Kathy Fish «» Sherrie Flick «» Alyson Foster «» Foust «» Steven Gullion «» Tiff Holland «» Jamie Iredell «» Beverly A. Jackson «» Jeff Landon «» Tara Laskowski «» Pamela Painter «» Ellen Parker «» Lauren M. Spencer «» Angi Becker Stevens «» S. A. Tranter «» Joseph Young «» Cover Art "Birds of Paradise" by Marty D. Ison «» Letter From the Editor
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