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Smoking With Molly Giles by Tara Laskowski
I like aquariums, zoos, museums, shrines (have gone to Graceland twice) etc., and have no trouble playing tourist in public places, especially when I am one. The jewel-like sea horses in my story were observed at a lovely small dark aquarium in Baltimore. I'd escaped from a writing conference to go there. I love stories that hint at some trouble, but don't spell it out. Did you have this trouble in mind when you started the story, or did it evolve as you were writing? While there, I saw a middle-aged, drably dressed woman rap the glass with her wedding ring. I got the idea of the story from that. So the "trouble" was given to me. I mouthed "thank you" to the universe and went back to my hotel room to draft it. What is your proudest writing achievement so far? I am proudest of my novel, "Iron Shoes," basically because it was so very hard for me to write it. I'm a short story writer; novels drain me. I want to kill all the characters off after 10 pages. I'm working on the sequel to "Iron Shoes" now, and it's a slow go. I have to remind myself that it was just as hard the first time. I am genuinely surprised writing has not gotten easier. But it has not. What are you reading, listening to, watching right now that you love? I just finished reading a wonderful short novel, recently reprinted, "A Month in the Country" by J.L. Carr. I am also reading a collection of Mavis Gallant's short stories. I loved "Olive Kitteridge" and gave copies to all three of my daughters. I go to at least one movie a week, thought the Coen Brothers "A Serious Man" was pretty good and enjoyed the new "Karate Kid" far more than was seemly for someone my age. Last semester I had to hurry back from the university to watch "Project Runway," and I was also hooked, horribly, on "New York Housewives." (This is definitely too-much-information, I know.) I am torn between eloping with Leonard Cohen or Steve Earle and the last CD I bought and listen to constantly was Salif Keita's "Papa." In what other ways besides writing are you most creative? If I could do anything besides write, I would. But I can't. Read Seahorse Sex. Issue Twenty-Eight (July 25, 2010): Young Waitresses by Steve Almond «» Frank by Matt Baker «» The Life and Times of Dmitri Kulikov by Tobias Amadon Bengelsdorf «» Scapegoat by Thomas Cooper «» What You Could Catch Me Bumping by Craig Davis «» Complicit by Gay Degani «» What You See When You Think of Home by John Mark DeMoss «» In the Attic by Murray Dunlap «» A Flower Thing by Jen Gann «» Seahorse Sex by Molly Giles «» Gertie by Kyle Hemmings «» Vertigo by Ann Hillesland «» Rock by Stephanie Johnson «» A Shot of Whatever by David LaBounty «» Palo Alto by Paul Lisicky «» The Lake House by Michelle McMahon «» Hell Is a Headline by Emily McPhillips «» How I Liked the Avocados by Wendy Oleson «» Regrets by Bridget Pelkie «» What Passes for Normal by Michelle Reale «» Avalanche by Joseph Scapellato «» Last Seen Leaving by Laura Ellen Scott «» Explicable by Sabrina Stoessinger «» A Fistful of Buttercups by Nancy Stebbins «» My Maggie by Eugenia F. Tsutsumi «» The Ghost by Russell Whitaker «» The Strain of Collusion by xTx «» Interviews: Steve Almond «» Matt Baker «» Tobias Amadon Bengelsdorf «» Thomas Cooper «» Craig Davis «» Gay Degani «» John Mark DeMoss «» Murray Dunlap «» Jen Gann «» Molly Giles «» Kyle Hemmings «» Ann Hillesland «» Stephanie Johnson «» David LaBounty «» Michelle McMahon «» Emily McPhillips «» Wendy Oleson «» Bridget Pelkie «» Michelle Reale «» Joseph Scapellato «» Laura Ellen Scott «» Nancy Stebbins «» Sabrina Stoessinger «» Eugenia F. Tsutsumi «» xTx «» Cover Art "Wall Street Must Be Tripping" by Marty D. Ison «» Letter From the Editor |
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