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Smoking With Michael Meyers
by Nancy Stebbins

cigarette by SuperFantastic
cigarette by SuperFantastic
via Creative Commons license
The wife wants the narrator to accept responsibility and, in the end, he does acknowledge fault. For what is he responsible? And why is he required to shoulder more blame than the other members of his family?

At the end of "Her New Friend," although it's too late, (the wife swallows the little yellow pill and flickers out) the narrator declares himself responsibility for everything, though h e knows, or hopes he knows that he isn't. He just wants his wife to take a deep breath and say, "Now there, see how much better you feel having told me that," then give him a semi-affectionate peck. If his wife can get a good night's sleep and wake in a good mood he can do the same, or at least try.

The narrator says that the phrase, "At least there's that," is the closest they come to prayer. The daughter shows up with a boy named Jesus, "pronounced like God's son." What deeper meaning do these spiritual allusions lend to the story?

I tumble into story without an idea of where I'm headed. If on page three it becomes clear that all the action is happening on a train, I, too, am surprised, but grateful. I would like to claim a connection between "'At least there's that,' is the closest they come to prayer," and the boyfriend named Jesus, though I intended none.

I enjoyed reading about your writing process: it's interesting how wonderful connections can be made unintentionally.

My dermatologist removed a nickle-sized nothing-to-be-worried-about from my chest. I now own a nickle-sized discoloration from which (and this is where I'm going) I got a title, the title being, "I Didn't Know I Stopped One Until Anne Pointed Out The Hole In My shirt." And from the title came the voice of the story, then the story.

I looked at your website and discovered that you are multi-talented: painting, performance art, and writing. How do you balance all of these things?

As an art maker lacking blinkers I became a lateralist. (I do not encourage this condition on those not afflicted). I do not, however, hold on to all the terms by which once I defined myself. Zones of art making fell away. For instance, I no longer am a painter, nor am I a performance artist and except for periodic adventures into video and sonic art (I put out a CD; Once Again Doctor Freud's Horse Has Gone Missing) I write fiction, or try, and, fingers crossed hope to continue.

What project(s) are you working on now?

At the green grocers I placed my finished stories on the scale. I thought they weighed enough for a book though the green grocer, a nice looking gal, she wasn't so sure.

Read Her New Friend Jesus.

Issue Thirty (December 22, 2010): Eulogy for Maria Mamani, Fire-eater by Ed Bull «» Language Barrier by Thomas Cooper «» A Goblet Falls by Barbara Diehl «» Life Lesson by Damian Dressick «» Yams by Gary Fincke «» How We Handle Our Midnights by Charles Hale «» The Corn by Kathleen Hale «» Amelia by Aubrey Hirsch «» Inside by Ashley Inguanta «» About Things That Are Lost and the Places That Things Get Lost Andrea Kneeland «» The Good Woman by Sara Levine «» Buckaroo by Ravi Mangla «» Her New Friend Jesus by Michael Meyers «» Conjugation by Jen Michalski «» Dairy Queen by Jennifer Pashley «» What Do You Do? by Dariel Suarez «» Up, Up and Away by Art Taylor «» Three Jokes by M. Thompson «» Between Budapest and Dying by Dean Marshall Tuck «» Crash-o-rama! by Chris Wiewiora «» Thirty-Word Story Contest Winners «» Interviews: Ed Bull «» Thomas Cooper «» Barbara Diehl «» Damian Dressick «» Gary Fincke «» Charles Hale «» Kathleen Hale «» Aubrey Hirsch «» Ashley Inguanta «» Andrea Kneeland «» Sara Levine «» Ravi Mangla «» Michael Meyers «» Jen Michalski «» Jennifer Pashley «» Dariel Suarez «» Art Taylor «» M. Thompson «» Dean Tuck «» Chris Wiewiora «» Cover Art "Holiday Wishes" by Marty D. Ison «» Letter From the Editors
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