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Smoking With Megan Roberts
by Beth Thomas
How did you get started writing this story? What was the spark that got it going?
I think I must have been reading a lot of Sylvia Plath and Sharon Olds, which I am picking up. These writers, as well as many women that surround me, ignite an awareness/curiosity about the struggles of motherhood. I'm not yet a mother; however, I am constantly observing the mothers in my life, and I am in awe of all that they handle. I think motherhood is sometimes portrayed as a wistful, totally fulfilling enterprise, and I'm interested in exploring all the other sides (sometimes darker) of motherhood.
Did it ever go in another direction? Did you make any major plot changes while writing this? What kind of iterations did you go through before it was ready to send out?
This was one of those rare, rare occasions when I just knew my characters well from the start, so they took over the action. It's an amazing feeling when you can give yourself over like that to your characters. Also, once again, rare for me. I did rewrite the first paragraph many times, changing sentence structure and making word choice changes. I can tinker with a first paragraph for a long time.
What is Beth's relationship with her husband like? He seems closed out, marginalized. Does she blame him for something? What is Beth's relationship with her dog like? She seems to identify herself with her dog more than anyone else around her.
Her husband is a character that I've cringed about creating. He is in some ways a cliché. However, I wanted to portray that moment(s) in a relationship when it's all about the kids and suddenly your spouse is this marginalized stranger. You look up and wonder who in the world is this cliché that I'm living with? However, this is just one stage or phase in this relationship.
As for the dog in the ending, it was a surprise. It just appeared. I like that the dog, without speaking, can ask for help, which Beth hasn't been able to do yet. Maybe that's what she craves from her husband, but she doesn't want to have to ask him. We often think our partner should just know. Beth sees some of herself in the old dog.
Tell us about Beth's hair. She seems to place a lot of her self-worth or happiness in the state of her hair. Why?
Don't all women? I heard on the radio just the other morning that women think about their hair something like 30 times a day. As much as we might not like to admit it, women put a lot of thought and time into their hair (I know this is a gross generalization). I think hair can portray social status, priorities, the amount of time you have free, and how much money you make. I also teach at a college with a Cosmetology program, so hair has become even more apparent to me lately. It's everywhere, and I just like describing hair.
What else are you working on right now?
I have my hands in many jars right now. I am working on the last edits of a novel, Everything is Only a Mile Away. I have also been tinkering with a chapbook about women who have been executed, and of course, lots of flash fiction and short stories in between. You can check out my weekly nonfiction writing at my blog: /www.figuringouthome.wordpress.com
Read Gestures.
Issue Thirty-One (March 28, 2011):
Kapha by Joanne Avallon «»
Wound Glue by Michael Cooper «»
Natural by Julie Draper «»
Everyday There is So Much about Elephants by Timothy Gager «»
Renewables by Abe Gaustad «»
We Walk Away, the Three of Us by Tracy Gonzalez «»
Other Sons by Casey Hannan «»
The Mystery of Water by Zin Kenter «»
The Lives of Alligators by Robert Kloss «»
A Turkey Baster Is Just Like a Penis by Rachel Levy «»
Three Bodies by Mike Meginnis «»
God, Two Girls by Adeena Reitberger «»
Gestures by Megan Roberts «»
Moons by Ethel Rohan «»
The Man with the Ridiculously Huge Coupon by Rolli «»
A Walk in the Woods by Robert Schladale «»
The Way We Speak Now by Angi Becker Stevens «»
Interviews:
Joanne Avallon «»
Michael Cooper «»
Julie Draper «»
Timothy Gager «»
Abe Gaustad «»
Tracy Gonzalez «»
Casey Hannan «»
Zin Kenter «»
Robert Kloss «»
Rachel Levy «»
Mike Meginnis «»
Adeena Reitberger «»
Megan Roberts «»
Ethel Rohan «»
Rolli «»
Robert Schladale «»
Angi Becker Stevens «»
Cover Art "Lady Gaga Dada" by Marty D. Ison «»
Letter From the Editors
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