Smoking With Matt Baker by Ellen Parker Epilogue by Joaquin Villaverde via Creative Commons license I think you told me this is your first published flash. Yes? Do you like writing short-short stories? If so, why? If not, why not? Yes, this is my first published flash. I enjoyed writing "Frank," but I rarely try my hand at flash. I'm just not able to truncate a story into 1,000 words or less, and I'm not lyrically gifted enough to go the poetic/metaphor route. So I think I'm more suited for longer fiction. That said, I really enjoy reading flash. Meg Pokrass and Kathy Fish and all the Queens of Flash—seems to be a female-dominated genre, doesn't it? Which also might explain why I like reading it so much. Flash is a female-dominated genre? Ooo, them's fightin' words! But ... let's change the subject, shall we? Hey, speaking of women, is your wife really Russian? Do you really have a teenage daughter? One of the reasons I like this story is that it has a teenage daughter in it, and she never wants to be at home. I like this verisimilitude. If you don't have a teenage daughter, how do you know so much about them? My wife is not Russian. No kids. I've happily surrounded myself with women my entire life and I'm a keen observer so that's probably why I'm responsive to teenage girls' plight. Although I think most teenagers—boys and girls— see home as the enemy and will do anything to stay away. I know I did. Do you like your first name? I like the name "Matt," but it seems like there are a jillion freakin' Matts these days. Everywhere you go, there's a Matt. If your name wasn't Matt, what would you want it to be? Matt's a great name and I'm perfectly satisfied with it. For whatever reason when I was seven or eight years old I thought it would've been cool to have the name Rick. I thought Rick was a name that had a lot of torque. But after that, I don't think I ever thought about my name again. About your narrator: What is this guy's deal? Did he always have such a bad attitude? The wife seems nice, but he's always trying to pick a fight with her. Was he always like this, or is he going through some sort of crisis? I think he's stuck or stifled somehow. It's probably a fairly generic portrait of a mid-life or nearing mid-life crisis of some form. His daughter has disappeared, he and his wife have probably been married long enough to start resenting each other a little, and he's looking for a way out. Not necessarily a way out of his marriage and his present life, but an escape valve, something to elevate him above the ordinary. And perhaps changing his name is the fix for this malady. And is changing one's name to Andy really going to help anything? I don't think changing one's name to Andy ever helped anyone. Maybe Andrew. But not Andy. Discuss. It's largely a weak metaphor for anyone who is searching for a superficial or short-term fix for whatever is ailing them. Whether it's a car, purse, job promotion, moving to new city, plastic surgery, the name in this instance works the same way; if only the narrator can change his name then his life will be what it "should be" or what he imagines it should be. We live in a culture where everyone thinks they "deserve" something; that by default of being born, we, as individuals, "deserve" happiness and the like, for example; and marketers and people like Oprah no doubt promote and exploit this idea every day. In Frank's case, thankfully, he's not out any great expense or life alteration, so hopefully he'll learn soon enough that his problem will require a different kind of solution. Do you find it annoying to explain your fiction to dumb-asses who don't get it? No, not at all. I'm flattered that someone would read my work and feel moved or intrigued enough to want to ask me questions. Read Frank. Issue Twenty-Eight (July 25, 2010): Young Waitresses by Steve Almond «» Frank by Matt Baker «» The Life and Times of Dmitri Kulikov by Tobias Amadon Bengelsdorf «» Scapegoat by Thomas Cooper «» What You Could Catch Me Bumping by Craig Davis «» Complicit by Gay Degani «» What You See When You Think of Home by John Mark DeMoss «» In the Attic by Murray Dunlap «» A Flower Thing by Jen Gann «» Seahorse Sex by Molly Giles «» Gertie by Kyle Hemmings «» Vertigo by Ann Hillesland «» Rock by Stephanie Johnson «» A Shot of Whatever by David LaBounty «» Palo Alto by Paul Lisicky «» The Lake House by Michelle McMahon «» Hell Is a Headline by Emily McPhillips «» How I Liked the Avocados by Wendy Oleson «» Regrets by Bridget Pelkie «» What Passes for Normal by Michelle Reale «» Avalanche by Joseph Scapellato «» Last Seen Leaving by Laura Ellen Scott «» Explicable by Sabrina Stoessinger «» A Fistful of Buttercups by Nancy Stebbins «» My Maggie by Eugenia F. Tsutsumi «» The Ghost by Russell Whitaker «» The Strain of Collusion by xTx «» Interviews: Steve Almond «» Matt Baker «» Tobias Amadon Bengelsdorf «» Thomas Cooper «» Craig Davis «» Gay Degani «» John Mark DeMoss «» Murray Dunlap «» Jen Gann «» Molly Giles «» Kyle Hemmings «» Ann Hillesland «» Stephanie Johnson «» David LaBounty «» Michelle McMahon «» Emily McPhillips «» Wendy Oleson «» Bridget Pelkie «» Michelle Reale «» Joseph Scapellato «» Laura Ellen Scott «» Nancy Stebbins «» Sabrina Stoessinger «» Eugenia F. Tsutsumi «» xTx «» Cover Art "Wall Street Must Be Tripping" by Marty D. Ison «» Letter From the Editor Interested in subscribing to SmokeLong's weekly newsletter? Click here. An email should be created. Send it as is, and you'll be subscribed. If the link does not work for you, send an email to imailsrv@smokelong.com with Subscribe slq-info in the body of the email (no subject is necessary). 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