Smoking With John Mark DeMoss by Tara Laskowski Epilogue by Joaquin Villaverde via Creative Commons license Stories about families that have lost touch are always so heartbreaking to read, maybe because of the truth that's at the heart of them that we don't like to think about. Do you think people can ever really break free of their childhood home? Do you think they should? No, I don't think we can. Those early people and places, and their residual memories, make up the core of who we are. The rest of our lives is a continuum of accepting, forgiving and judging, and reinterpreting our childhoods. The choice between staying and leaving makes less difference than we might think. We reflect what we run from as much as what we see. If my siblings read this, they might recognize the setting as, not our childhood home, but something like the house where our grandparents lived while we were growing up. "Home" in this story is not so much a specific place or set of people, but all those relationships we don't tend to as we should. Why did you choose second person to narrate this story? I don't mean to sound all writerly and mysterious, but that is just the way it came out. I think it works pretty well, even though it wasn't this brilliant decision on my part. Second person forces the reader into the bullseye of an uncomfortable situation, to cross the room with the protagonist, to look in the eyes of people he's left behind. Why do you think the wife in this piece is so insistent on visiting the family, even though "she doesn't like them any more than you like to go back there"? I knew I had to get my characters inside the house, but I didn't want to go there "any more than he did." In the first part of the story, the voice of the wife is actually my own self-talk telling me to stop stalling and get on with things. Writing down that voice as the voice of a character helped me to move the story forward. The character herself, like my own wife, is wise enough to know that her husband will be dealing with his family whether he takes this trip or not. Unlike him, she prefers to face difficulties head-on. She may not know how things will turn out if they go, but she knows what life will be like if they don't. Tell us about your dogs. Have you always been a dog person, or is it newly acquired taste? How do they contribute to your insanity, and how do they keep you sane? Our family has always had dogs around, but my dogs don't think of me as a dog person. Dogs seem to experience the same range of mental health that humans do, and our personalities don't always synch perfectly. I find that dogs will be as disciplined or undisciplined, high-minded or selfish, as I allow myself to be, which doesn't always bode well for their character development. We currently have a pair of dogs. Abi is a healthy nine-year-old terrier mix, whose first foster home experience left permanent scars. She's terribly sensitive to tone of voice and facial expressions, but invariably sweet and a perfect host to strangers. I wish I made and kept friends as easily as she does. Sadie (Cedi) is a loveable flat-coated retriever, who takes great pride in her lineage as a water dog. All she needs to be happy is a toy stuffed duck in her mouth, and she's rarely without it. What other writing projects are you working on now? I have a bunch of pieces in various stages of rewrite. Most of them began their lives on the flash challenge site, ShowMeYourLits. Some won't ever go anywhere much, but may find a home of sorts on my personal site. I hope some of the others may leave home like the character in this story, and find a place out in the big world. Read What You See When You Think Of Home. Issue Twenty-Eight (July 25, 2010): Young Waitresses by Steve Almond «» Frank by Matt Baker «» The Life and Times of Dmitri Kulikov by Tobias Amadon Bengelsdorf «» Scapegoat by Thomas Cooper «» What You Could Catch Me Bumping by Craig Davis «» Complicit by Gay Degani «» What You See When You Think of Home by John Mark DeMoss «» In the Attic by Murray Dunlap «» A Flower Thing by Jen Gann «» Seahorse Sex by Molly Giles «» Gertie by Kyle Hemmings «» Vertigo by Ann Hillesland «» Rock by Stephanie Johnson «» A Shot of Whatever by David LaBounty «» Palo Alto by Paul Lisicky «» The Lake House by Michelle McMahon «» Hell Is a Headline by Emily McPhillips «» How I Liked the Avocados by Wendy Oleson «» Regrets by Bridget Pelkie «» What Passes for Normal by Michelle Reale «» Avalanche by Joseph Scapellato «» Last Seen Leaving by Laura Ellen Scott «» Explicable by Sabrina Stoessinger «» A Fistful of Buttercups by Nancy Stebbins «» My Maggie by Eugenia F. Tsutsumi «» The Ghost by Russell Whitaker «» The Strain of Collusion by xTx «» Interviews: Steve Almond «» Matt Baker «» Tobias Amadon Bengelsdorf «» Thomas Cooper «» Craig Davis «» Gay Degani «» John Mark DeMoss «» Murray Dunlap «» Jen Gann «» Molly Giles «» Kyle Hemmings «» Ann Hillesland «» Stephanie Johnson «» David LaBounty «» Michelle McMahon «» Emily McPhillips «» Wendy Oleson «» Bridget Pelkie «» Michelle Reale «» Joseph Scapellato «» Laura Ellen Scott «» Nancy Stebbins «» Sabrina Stoessinger «» Eugenia F. Tsutsumi «» xTx «» Cover Art "Wall Street Must Be Tripping" by Marty D. Ison «» Letter From the Editor Interested in subscribing to SmokeLong's weekly newsletter? Click here. An email should be created. Send it as is, and you'll be subscribed. If the link does not work for you, send an email to imailsrv@smokelong.com with Subscribe slq-info in the body of the email (no subject is necessary). 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