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Smoking With Bill Cook
It was fairly easy. One afternoon, I was down at my sister's visiting, and her stepson, Ryan started telling me about this "old dude" who drank energy drinks, and bingo the light flashed on, and I said to myself, "Hey this is real cool stuff" and a story was born. I loved my nephew's excitement and the way he got a big kick out of such an eccentric old dude. It gave me hope that maybe one day I'd be that old guy. Like most of my favorite pieces, I did little editing to Star Man. There are pop culture references in this flash—Big Gulp, Monster drinks, Guitar Hero. What made you decide to use specific references? All three felt right when they popped into my head. For me, the idea of a drink called Monster conveyed perfectly the spirit and unbridled exuberance of youth. I mean Red Bull…what's that mean to a kid? A crazed bull ready to charge? Then came Guitar Hero, which I instantly fell in love with. I mean, the mere image of an eighty-two year-old man playing a toy guitar is totally askew, slanted just the way I like it. Here's this old dude who refuses to grow up. Or is stuck or whatever. I totally relate at some level which may be embarrassing but it's true. Who doesn't want to retain some element of surprise, of awe, of "wow, let's check that out"? Your own Big Gulp drink of choice? Currently it's GBG or Giannini Bar & Grill Ale. A local beer served on tap at a small café no more than eight houses down the street from us, kitty-corner to the local Little League baseball diamond. I can't wait until winter ends and I can start taking Cujo—my sons beautiful and tragically sweet dog—and order a couple of ales and enjoy a good book. You mention the game Guitar Hero III. Who is one of your guitar heroes? This is a hard one. The spectrum is way too wide for me to choose only one. I love melodic guitar to raw raunchy guitar. Some rocking, jazz fusion things like Scott Henderson and Tribal Tech to someone totally different, like Ani Difranco, who's an amazing musician. And then there's Neil Young who's way too powerful and cool, and Steve Morse, who's currently with Deep Purple. I know I went way beyond my limit…but I just couldn’t help myself. What are you working on now in your writing life? Last year it was micros to short-shorts, but lately I've been more titillated by longer pieces around three thousand words and up. Read Star Man. |
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| Issue Twenty-Four (March 18, 2009): Barista by Sarah Black «» Night Vision by Edmond Caldwell «» Star Man by Bill Cook «» Bluegills by Thomas Cooper «» Seattle Gymnopédie by Scott Garson «» One Night at Crobar by Shane Goth «» Scrapple by Tiff Holland «» What If The Dungeon Closes by Tim Jones-Yelvington «» Toes by Darby Larson «» The Hamster by Tara Laskowski «» Dirtclouds by Charles Lennox «» Moat by Ravi Mangla «» A Witnessing at the K&W Cafeteria by Heather McDonald «» Roots by Jen Michalski «» I Use Commas like Ninja Stars by Sam Nam «» Turtle Creek by Gregory Napp «» Prey by Susannah Pabot «» By Saturday, We'd Be Singing by John Riley «» At the Foot of the Mountain by Ania Vesenny «» Interviews: Sarah Black «» Edmond Caldwell «» Bill Cook «» Thomas Cooper «» Scott Garson «» Shane Goth «» Tiff Holland «» Tim Jones-Yelvington «» Darby Larson «» Tara Laskowski «» Charles Lennox «» Ravi Mangla «» Heather McDonald «» Jen Michalski «» Sam Nam «» Gregory Napp «» Susannah Pabot «» John Riley «» Ania Vesenny «» Cover Art "No. 41 - 2007" by Marty D. Ison «» Letter From the Editor | |||