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Smoking With Glenn Shaheen
Well, certainly incompatibilities of the trifling manner at least. Sometimes people get obsessed with those sort of minor incompatibilities, though, and let that destroy a relationship that is full of love. Maybe that's part of our nature, too, to trick ourselves into thinking something of little consequence is much more important than it actually is. What does the second person point of view do for this story? In flash fiction you don't have a lot of time to make your readers invested in your characters. I thought using the second person point of view allows the reader to be located closer to the emotional center of the story, thus creating the illusion of being embroiled in the conflict with the characters. It did some work for the story that the space prevented. You are an MFA student in poetry. Do you think poetry techniques help you write short-short fiction? Longer short fiction? Short-short fiction for sure. In narrative poetry you have the same issues of space to contend with as you do in the short-short. I can't write longer short fiction unless I break it up into small vignettes. That may be indicative of some kind of clinical ADD, but I'm not sure. How long were you a language arts teacher before you moved on to pursue your MFA? Any plans to teach again? I taught 7th grade for a year out of undergrad, and decided that was enough. I did a couple of odd jobs before going back to school, but now, years later, I can see myself teaching again. Probably older than 13 year olds. Those kids can be harsh. Congratulations on placing in the Kathy Fish Fellowship contest! Will you share a bit about your experience in applying for the fellowship? Preparing the goal statement, selecting the stories, the wait, etc.? The application process for the Kathy Fish Fellowship was a dream. It had a great notification time, and also it was free which was a real bonus. Preparing the goal statement wasn't too hard, because I was working on a project and it's always kind of fun to put that kind of thing into words. Additionally, the biggest plus was being able to submit it all online, rather than having to organize a bunch of printed forms and probably forget something in an envelope. It was terrific! Read Elizabeth Bishop. |
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| Issue Twenty (March 15, 2008): The Cockroach by David Barringer «» Trestle by Matt Briggs «» Worried & Wondering by Aaron Burch «» Dead Dog Rising by Kate Hill Cantrill «» Tinder by Chanel Earl «» Scrape by Utahna Faith «» Arlo's Big Head by Stefanie Freele «» Wei-Ch'i by Vanessa Gebbie «» Last Fall by Katherine Grosjean «» David Dreams of Australopithecines by Savannah Schroll Guz «» The Last Stop by Jenny Halper «» Blue by Stephanie Harrison «» Cadet by Tiff Holland «» Slam by Liesl Jobson «» Beret by Darlin' Neal «» Camp by Elizabeth Oliver «» We by Patricia Parkinson «» Seconds Are Ticking By by Nik Perring «» Brother by Sue Powers «» Carol by Sophie Rosenblum «» Elizabeth Bishop by Glenn Shaheen «» Favorites by Gail Siegel «» Blank by Michelle Tandoc-Pichereau «» Medicinal by Girija Tropp «» Interviews: David Barringer «» Matt Briggs «» Aaron Burch «» Kate Hill Cantrill «» Chanel Earl «» Utahna Faith «» Stefanie Freele «» Vanessa Gebbie «» Katherine Grosjean «» Savannah Schroll Guz «» Jenny Halper «» Stephanie Harrison «» Tiff Holland «» Liesl Jobson «» Darlin' Neal «» Elizabeth Oliver «» Patricia Parkinson «» Nik Perring «» Sue Powers «» Sophie Rosenblum «» Glenn Shaheen «» Gail Siegel «» Claudia Smith «» Michelle Tandoc-Pichereau «» Girija Tropp «» Cover Art "Male Figure" by Marty D. Ison «» Letter From the Editor | |||