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Smoking With Sean Oakley

Art by Marty D. Ison
Art by Marty D. Ison
How long have you been writing?
I’ve flirted with it since grade school, but rarely with any consistency or dedication. There was a period in college when I wrote a good deal, but that was probably more attributable to post-adolescent angst than any real drive to "be a writer." It’s really only the last couple of years that I’ve taken it more seriously.

What finally made you decide to get your work out there?
I joined an on-line writing workshop a number of months ago. The encouragement and the example of the other writers in the group convinced me that maybe it wasn’t completely crazy to think I could get something published.

With three kids, how do you find time to write?
I write mostly late at night, after everyone’s asleep. Occasionally I’ll do some writing at work if things are slow (my boss isn’t going to read this, right?).

Do you have any books that are so important to you that you insist everyone else read them?
Something Happened , by Joseph Heller. I’m awed by his ability to take the seemingly mundane internal life of such an average guy and turn it into a profoundly moving and deeply fascinating story. And the ending is absolutely devastating.

Pretty much anything by Philip Roth, although I loved Sabbath’s Theater in particular. The fearlessness of his writing is inspiring.

Infinite Jest, by David Foster Wallace. I love the way he plays, both with language and the structure of the novel itself.

What do you think of flash fiction versus other literary forms?
I love the idea of taking a moment or a feeling or an image and figuring out what’s really at its core – what it’s really about once you take all the extraneous stuff away. Flash, to me, is the perfect vehicle for describing that essential thing that you’re left with.

Will the Cubs ever make it to the World Series?
I’m still not ready to talk about it...

Read Nolo Contendere.
Issue Two (December 15, 2003): The Natural Order by Barbara Jacksha «» View From A Flying Jimmy by Tammy Turner «» ISO by Bret Fetzer «» Magic Yeast by Louisa Howerow «» Must Sign for Delivery by Jade Walker «» Memoirs of a Jump Rope Queen by Margaret A. Frey «» Nolo Contendere by Sean Oakley «» Campfire Conversation by Lennart Lundh «» Snap Shot by Peggy Duffy «» Fear by Rose McDonagh «» Because of Penguins by Jane Sales «» With Love, Moon by Eugenia E. Gratto «» Private Services by Diana Forrester «» Red Flecks by Louise Jackson «» Pictures—The Beach Outside of Nice by Nance Knauer «» Love and Death in Legoland by Kay Sexton «» Sunset in Santa Monica by Didi Wood «» Fragile by Eric Wrisley «» Interviews: Barbara Jacksha «» Tammy Turner «» Bret Fetzer «» Louisa Howerow «» Jade Walker «» Margaret A. Frey «» Sean Oakley «» Lennart Lundh «» Peggy Duffy «» Rose McDonagh «» Jane Sales «» Eugenia E. Gratto «» Diana Forrester «» Louise Jackson «» Nance Knauer «» Kay Sexton «» Didi Wood «» Eric Wrisleya «» Cover Art "Platinum" by Malina «» Letter From the Editor
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