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Smoking With Cally Taylor

Art by Marty D. Ison
Art by Marty D. Ison
I am afraid of Tom's room, too. How did you visualize and bring to life such place?
Hoover was written in response to a flash prompt 'Roadkill as Art' set at Alex Keegan's Bootcamp. The prompt immediately appealed and I started thinking about some of the different student art exhibitions I saw when I was at University. One of them included the 'faeces in glass intestine' sculpture. Another was the scrawled toilet roll piece. I thought about the artists, about the way they express themselves and how the people around them might react if they don't understand that kind of artistic expression. Tom became the art student in my mind and the narrator became his mother.

Great title. Fill us in about the hoover as a figurative element in this fine fine flash.
The hoover is a metaphor for the mother desperately trying to remain part of her son's life, even when she doesn't really understand him any more. Hoovering is normality, hoovering she understands. It's what she does. It's what she's always done. As her son moves away from her and becomes his own person, she clings to normality. She can't understand him or be part of his new life or his artistic expression but she can still hoover his room.

Well, like most parents, I could use some parenting advice, Cally. Care to offer some?
I'd love to but as I'm not a parent myself I'm afraid I wouldn't be much help!

A novel on the way? So, what can you tell us about it?
The novel is a coming of age story about a girl called Lucy who loses her mother (an OCD sufferer) to suicide and is sent to boarding school by her 'Grandmonster'. It's a story about love, loss, friendship, bullying, fantasy and grief. Ultimately, I hope, it's uplifting.

Here in the States, we're so sickened and pained by the recent London terrorism. What's the mood in England?
I was in London on 7th July and felt shock, grief and fear in the aftermath of the bombings. Getting back on the Tube in the days after the attack was nerve-wracking but now there seems to be a sense of defiance and 'life as normal' in London. We're not going to let the terrorists succeed in letting fear dominate our day-to-day lives.

Read Hoover.
Issue Ten (September 15, 2005): Capsicum by Anne Marie Jackson «» Donat Bobet's Halloween by Bruce Holland Rogers «» The Arrival by Nathan Leslie «» The Law by Edgar Omar Avilés, translated by Toshiya A. Kamei «» Five Fat Men in a Hot Tub by Jeff Landon «» Hoover by Cally Taylor «» Are You Okay? by Joshua Hampel «» The Kindness of Strangers by Otis Brown «» Mrs. Krishnan by Kuzhali Manickavel «» Crossing the Orinoco by William Reese Hamilton «» The Elements of Summer by Laura Stallard Petza «» Closer to Paul by Patti Jazanoski «» Hawesville, Kentucky by Nance Knauer «» He Stayed for Breakfast by Astrid Schott «» Gardening by Antonios Maltezos «» Outer Space by Tom Saunders «» Blind Love by Robert Bradley «» Arks by Alan Girling «» Chitlins by Bob Arter «» Strange Fruit by Suzanne Lafetra «» Interviews: Anne Marie Jackson «» Bruce Holland Rogers «» Nathan Leslie «» Toshiya A. Kamei «» Jeff Landon «» Cally Taylor «» Joshua Hampel «» Otis Brown «» Kuzhali Manickavel «» William Reese Hamilton «» Laura Stallard Petza «» Patti Jazanoski «» Nance Knauer «» Astrid Schott «» Antonios Maltezos «» Tom Saunders «» Robert Bradley «» Alan Girling «» Bob Arter «» Suzanne Lafetra «» Joseph Young «» Cover Art "The Creation of Time and the Plagiarism of Bosch" by Marty D. Ison «» Letter From the Editor
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