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Smoking With Charlotte Jones
I have always wanted to write, even as a teenager my notes to my girlfriends rhymed. I had a wonderful history teacher in high school who encouraged creativity, so I used to write plays or poems for assignments, instead of boring structured essays. My physicist father pushed me toward more practical ways of making a living, but now that I can, I've returned to my first love. My creative writing teacher, Chris Woods, inspires me to try new things. Do you find that your photography helps you with writing? Or vise versa? Absolutely. I'm a very visual 3-D thinker, so if I can create an image in my mind, it's easier to write about. We often use visual prompts (photographs or paintings) in my creative writing classes. And if I'm out taking pictures, I'm thinking about the "story" that the series of pictures will tell. The old chestnut: who are some of your favorite authors? Favorite books? I read a wide variety of stuff: everything from the comics (daily, first thing), to War and Peace (Tolstoy) to Harry Potter to edgy lit mags like Nerve Cowboy. If I were forced to name a favorite, it would probably be War and Peace because his descriptions are so detailed, it's like watching a movie. (And by the way, I only read it for the first time last year.) I tend to like whatever I'm reading at the moment, though, and right now I'm being blown away by The Da Vinci Code by Dan Brown. Next on my "to read" list is Savage Beauty: The Life of Edna St. Vincent Millay about the first woman to win the Pulitzer for poetry. And why do you write, anyway? Why do I write? I'm not one of the tortured souls who had an unhappy childhood so I HAVE to write. I write because it entertains me. Sometimes I laugh out loud at characters I create. It makes me more observant of the world around me (I hear some bizarre conversation at a cocktail party and I think, Hey, I can use that in a play.) Basically, I write because it's fun. It beats the heck out of sitting around a conference table all day arguing over "data structures," which is what I used to do. Read Rest in Peace. |
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| Issue One (September 15, 2003): Pressing Hard by Marcia Mascolini «» A Cautionary Measure by Peggy Duffy «» I Watch by Stephanie Dial «» Rest in Peace by Charlotte Jones «» Mrs. Mitts by Beverly C. Lucey «» Speak of the Dead by Ann Zimmerman «» A Private Trinity by Darlene Cah «» The Chair Affair by Jade Walker «» A Trip To The Grocer's by Beverly Jackson «» I Shall Not Wear Purple by Margaret A. Frey «» Generations by Catherine Talley «» Dinner's Ready! by Linda Pierce «» How Pusch Came To Shovel by Gary Glauber «» Gerontophile: An Imposition by S.H. Gall «» Walking the Plank by Sheila Killian «» Neighborhood Watch by Nance Knauer «» Scent and Sensibility by Jeff Lindsey «» Interviews: Marcia Mascolini «» Peggy Duffy «» Stephanie Dial «» Charlotte Jones «» Beverly C. Lucey «» Ann Zimmerman «» Darlene Cah «» Jade Walker «» Beverly Jackson «» Margaret A. Frey «» Catherine Talley «» Linda Pierce «» Gary Glauber «» S.H. Gall «» Sheila Killian «» Nance Knauer «» Jeff Lindsey «» Cover Art "Purpleless" by Rebecca Gullickson, inspired by "I Shall Not Wear Purple" by Margaret A. Frey «» Letter From the Editor | |||