Exile on Payne Street by Ryan Ridge art by Robinson Accola His twenty-year plan busted after four-and-a-half. So he moved into a little shotgun house on Payne Street in a neighborhood called Historic Butchertown. The view wasn't much, but in the late afternoon you could sit on the pot, gaze out the open bathroom window, and watch the sunset die behind an abandoned hotdog factory. Tonight he sat there atop the closed commode witnessing the remnants of the day disappear into the autumn spokes of a silver maple. He had a wife and daughter in a distant area code. He had a handle of cheap gin in one hand and an expensive razorblade in the other. The plan was to drink the booze, draw a hot bath. The plan was unoriginal, and he knew it. The plan was soon to be abandoned. The thought of so much blood on an empty stomach made him sick. The bottom-shelf gin didn't help. He tossed the blade into the trash, drained the tub, and sat there getting drunker and drunker as the room got darker and darker. He threw up. Then he set his head on the toilet seat and devised a brand new plan. The plan was to call his wife's new boyfriend, level with him. The plan was uninspired, lacked vision, and he knew it. Beyond the window a solitary star hung in the sky like a bad movie review. The telephone rang. It was not his wife. It was not his wife's new boyfriend. It was a blind veteran selling light bulbs and TV Guide subscriptions. He wondered what the hell blind veterans were doing selling light bulbs and TV Guide subscriptions, but he bought a package of light bulbs anyway. Why not? He had plenty of lamps in storage. All content in SmokeLong Quarterly copyright 2003-2012 by its authors.
	Ryan Ridge hails from Louisville, Kentucky. He is currently an MFA candidate at the University of California, Irvine where he teaches creative writing. His work has appeared, or is forthcoming, in 5_Trope, The Greenbelt Review, Salt Hill, Upstairs at Duroc, Yankee Pot Roast, and elsewhere. Read the interview. Robinson Accola creates artwork for SmokeLong Quarterly as needed.
	Issue Twenty-Five (June 25, 2009): Bush Chanting by Cynthia Helen Beecher «» Flying Pens by Pam Bolton «» Rats by Z.Z. Boone «» The Hobblers by Dan Chaon «» Slanguistic Lipstick by Frank Dahai «» Rain by Natalie DeClerck «» Good Friday by Steven Gullion «» Me and Theodore Are Trapped in the Trunk of the Car with Rags in Our Mouths and Tape Around Our Wrists and Ankles, Please Let Us Out. by Mary Hamilton «» Underfoot by Joan Harvey «» A Minor Setback by Tara Laskowski «» Woman in a Bar by Dorianne Laux «» Matt: How It Will Happen by Amanda Nazario «» Trace by Darlin' Neal «» Exile on Payne Street by Ryan Ridge «» Home Economics by Gail Louise Siegel «» A Funny Smell by Ray Vukcevich «» Andersonville by Lindsay Marianna Walker «» Northern Migration by Brandon Wicks «» Interviews: Cynthia Helen Beecher «» Pam Bolton «» Z.Z. Boone «» Dan Chaon «» Frank Dahai «» Natalie DeClerck «» Steven Gullion «» Mary Hamilton «» Joan Harvey «» Tara Laskowski «» Dorianne Laux «» Amanda Nazario «» Darlin' Neal «» Ryan Ridge «» Gail Louise Siegel «» Ray Vukcevich «» Lindsay Marianna Walker «» Brandon Wicks «» Cover Art "The Vanishing Lotus" by Marty D. Ison «» Letter From the Editor