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Lessons from Oregon
by Mark L. Keats

art by Jefferson Lara
art by Jefferson Lara
1. Though its namesake is rain, it doesn't reveal itself until after October. Then, it rains, a lot. But during September, the month I was supposedly born, the weatherman said that, though it would be gray and menacing, the rain wouldn't "happen" until Thursday this week. And I had trusted him, his voice, his way of predicting celestial fickleness. As I walked to work on Tuesday, wondering how I came to be teaching elementary school children about parts of speech, it rained, hard, then, as if it wanted to surprise me, show its capriciousness, stopped once I reached the school's large glass door. Hair matted down from the wetness, another teacher opened the door, looked, and said to me, "Where's your umbrella?" "The weatherman said it wouldn't rain until Thursday." She responded, "Silly boy. Always bring your umbrella." Lesson one: always bring your umbrella. Assumption: you have an umbrella.

2. The coffee is clearly better here, I think. It doesn't matter when I drink coffee anymore. Sometimes after I drink, I fall asleep, as if I drink to fall asleep. And when I dream, I dream I have three cats, three brand new cats. I've always been a dog person, so I don't know what the dream means. And it bothers me that I'd have so many cats. But now, after a few months I can't sleep. So I drink more and think of those three cats, their names, their personalities. I run on the apartment's treadmill at two in the morning and come up with names like Larry, Lewis, Leopold, all names that reflect where I was raised. Lesson two: adjusting to the time difference will take longer than expected. Lesson two point five: get a cat, maybe two because the apartment doesn't allow dogs.

3. "Sure," I say to my mother, who happened to forget about the three-hour time difference. But, I'm awake, the insomnia. I boil water to run the French Press. Does it really make a difference if it's 3:30am here, 6:30am on the east coast when your mother calls? "How's my favorite son doing?" she asks. "I'm your only son," I say. "You didn't answer the question," she says. Lesson three: you can't hide from your mother, even on the west coast.

4. Mom calls again, early. "Did you check the top cabinet?" I say, looking out my window. I hear the cabinet door ease open, then close shut. "Thank you," she says. "I don't know what I'd do without you." "You seem to be doing okay," I say. "Did you make a decision," she says. "Are you going to meet her? Oh, I almost forgot," she adds. "Your cousin, Laura, she's pregnant." Lesson four: be born or adopted in to a family with siblings. Lesson four point five: get mom a hobby, maybe a cat. Lesson four point seven five: when you're adopted, both mothers will find you.

5. At the school where I teach English, Fiona, asks me why I talk funny. She has a large mole near her bottom lip, with hair pulled back in pig-tails, and the kind of earnest expression synonymous with first graders' and their questions. "Funny," I repeat, looking at her, unsure if I can really hear what she hears. "Fiona," I say, about to talk about regional dialects before I realize I don't know how to explain that to a first grader. Lesson five: stop talking funny. Also: no more stickers for Fiona.

6. I name my cats Lewis and Clark. The irony is that they're indoor cats, and I live in a studio. When they follow me around, I pretend that I'm the Columbia River, so I snake around the apartment with them in tow. Sometimes I create an obstacle for them, and say, "This won't be easy; traversing and marking new lands—it's never easy." But they just rub against my leg, wait for me to bend down and pet them. Lesson six: get a hobby and/or get out more.

7. At Canyon Beach on an unclear day, Tillamook lighthouse reminds me of one of my favorite paintings, Wanderer above the Sea of Fog. It's been six months since I was laid off and moved to the west from the east coast, away from family and friends, away from familiarity, away from the letter that had arrived telling me that she was looking for me. And I think, as my shoes make subtle impressions on the firm and sooty looking sand, as the strong wind fills my shoes with imperceptible pieces, I think all we needed was to keep pretending that we didn't exist, that we didn't need each other, that it was okay, that we forgave each other, that that sometimes happens in life. But when that letter came, the distance—the penumbra like past—became a momentary lapse, merely a delay between the things we had meant to say and the things some of us hoped to say. And I hear it in my head when I imagine and hope that she will say, "I'm sorry, I'm sorry, I'm sorry." Lesson seven: There are unforeseen consequences to everyone's actions.

Read the interview.

Mark L. Keats earned his MFA from the University of Maryland. He was twice an honorable mention for the Katherine Anne Porter Prize in Fiction. His work has appeared or forthcoming in The Dying Goose, Emerge Literary Journal, Subliminal Interiors, The Public Asian, and AKConnection.com. He currently teaches at Montgomery and Howard Community College.

Jefferson Lara is a local artist in the Washington, D.C., metropolitan area. He has studied in the field of fine arts and graphic design at the Art Institute of Washington. He is also a self-taught photographer and has been doing freelance photography for the past two and a half years. Lara has a gift for seeing things in a very different way. He has enjoyed all forms of art from a very young age starting with playing the violin and continuing with poetry, sculpture, painting, designing, and photography. He always strives for perfection and is always eager for a new project.


All content in SmokeLong Quarterly copyright 2003-2014 by its authors.





Issue Thirty-Nine (March 25, 2013): Chartres by Matthew Brennan «» With Dragon by Carol Guess and Kelly Magee «» Your Hindenburg by Gabrielle Hovendon «» Amateur Trailmaking for $1600 by Jennifer A. Howard «» Flood Damage by JD Jahangir «» Lessons from Oregon by Mark Keats «» Clearwater by Peter Kispert «» Copper Heart by Beth Konkoski «» The Quiet by Cara Long «» Cannibal by Rachel Lyon «» The Summer I Stole Joey's Matchbox Car by Tara L. Masih «» The Sahara Is No Place for a Boy by Vincent Pagé «» This Guy's Biggest Problem by Tammy Peacy «» Vigil by Emily Rinkema «» The Albino Alligator by Daniel Wessler Riordan «» Jesus Never Lies by TJ Rivard «» Interference by Glenn Shaheen «» Toska by Manuela Silvestre «» David Hasslehoff Is from Baltimore by Kara Vernor «» The Last President by James Zerndt «» Interviews: Matthew Brennan «» Carol Guess and Kelly Magee «» Gabrielle Hovendon «» Jennifer A. Howard «» JD Jahangir «» Mark Keats «» Peter Kispert «» Beth Konkoski «» Cara Long «» Rachel Lyon «» Tara L. Masih «» Vincent Pagé «» Tammy Peacy «» Emily Rinkema «» Daniel Wessler Riordan «» TJ Rivard «» Glenn Shaheen «» Manuela Silvestre «» Kara Vernor «» James Zerndt «» Cover Art by Alexander C. Kafka «» Letter From the Editor
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