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The Colour of Slate
by Roderick Leyland

Disillusionment and Metamorphosis
...Standing in a field of horses, a bottle of amontillado in one hand, Sartre's Being and Nothingness in the other, when the first stallion—a Russian piebald—looks at me and says:

'I'll have a sherry, pal, but you can forget the book.'

'Forget...?'

'I know it backwards, mate.'

We pause while he formulates his next statement.

'Observe us,' he goes on. 'Look at the way we're standing.'

Aeons of horseplay have been to no avail, they are still no closer to reconciling life's paradoxes. When it drizzles they stand underneath the trees and wait, suffering the soaking, allowing the rain to do what it's done for centuries. Here is a genus ground down by an eternity of drizzle, yet time has made them as resilient as Welsh slate. The only effect that water has, now, is to wet them.

'Was there anything else, friend?'

I consider.

'Are you pouring that sherry, or what?'

'A schooner...?'

'A schooner or a thimbleful, squire, it's all the same.' He leaves a silence. 'Go, on. Do your worst.'

As I pour it — a big one, which he takes in one gulp — I can't help thinking, I hope he doesn't get heartburn.

A small (very short-legged) Shetland pony approaches, the piebald shoos him away.

'You're too young for liquor. It stunts your growth.'

'Evolution's already taken care of that,' says the pony. 'No major mutation for over ten thousand years. I'm short, my mates are short, the breed's short. In short, we're all short.'

'Beat it, squirt. You're not drinking alcohol.'

Not stoically, and with good grace, the pony departs. The hierarchy here is working well. Once back with his comrades, the Shetland exchanges words with one of the group who glances our way for a few seconds — it's verging on a dirty look, but we feel we can deal with it — before turning back and bending his neck the little distance to the ground. The piebald raises an eyebrow: See what I mean?

'Do you think,' I ask him, 'that your low-slung friend would like a look at Sartre?'

'Blind as a bat, mate: a well-known characteristic of the breed. Pearls before the proverbial.'

'I could read to him.'

'Are you joking? Limited intellect, these short-arses. You might as well hand him a comic or the thoughts of Chairman Mao.' He urges me closer. 'Nothing upstairs, compadre.' He rests a while. 'Just let it be, friend.'

I re-cork the sherry, clasp the book under my elbow and turn to leave.

'See you again?' I say.

'Not,' says my fellow existentialist, 'unless we see you first.'

I start to walk away, barely covering five yards before I hear an emission: wind of low pitch and long duration. There's no embarrassment, no attempt to conceal, control or curtail. The horse, who, like the rest of his cohort, shed his social mask long before man developed his, is in good faith.

'Must be the sherry,' the horse seems to be saying. Or so I think. I hoist one leg over the fence...


All content in SmokeLong Quarterly copyright 2003-2008 by its authors.
Roderick Leyland was born in Dundee, Scotland in 1949. He trained as an actor and worked in the theatre. He has also worked in retailing and financial services. Stories and articles have appeared (or are forthcoming) in BuzzWords, Peninsular, Countryside Tales, Scribble. He lives and works in Brighton, England.

Read the interview.
Issue Seven (December 15, 2004): Being Frank by Randall Brown «» Axl Rose Is My Dog by Scott Ford «» Falling by M. Lynx Qualey «» Revival Season by Saundra Mitchell «» Noises by Grant Bailie «» Head Case by Steve Dunn «» Aluminum by Gary Cadwallader «» Tornadoes by Paul A. Toth «» Cracks by Ann Walters «» Three-Second Angels by Judd Hampton «» Love and Murder by Rusty Barnes «» Not The Real Jesus Christ by Bob Thurber «» Three Blind Elephants Met a Man by Alexandra Fox «» Whitman Waits Along the Road for Lincoln to Pass by James Devitt «» All Over Again by Tom Jackson «» The Colour of Slate by Roderick Leyland «» Salt by Andrew Bomback «» The Road to a Place I Did Not Know by David H. S. Hubert «» Interviews: Randall Brown «» Scott Ford «» M. Lynx Qualey «» Saundra Mitchell «» Grant Bailie «» Steve Dunn «» Gary Cadwallader «» Paul A. Toth «» Ann Walters «» Judd Hampton «» Rusty Barnes «» Bob Thurber «» Alexandra Fox «» James Devitt «» Tom Jackson «» Roderick Leyland «» Andrew Bomback «» David H. S. Hubert «» Cover Art "Disillusionment and Metamorphosis" by Marty D. Ison «» Letter From the Editor
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